Akai AX60
The AX60 is among some of the last true analog polysynths of the mid-eighties. It was Akai's answer to the hugely successful Roland Juno series and Yamaha's new digital DX-series. The AX60 is a programmable six-voice synth with a nice LFO, lowpass (VCF) filter, envelope sections, and more. An eight-voice version, the AX80, was already available.


Programming this synth is easy using dedicated sliders, knobs and/or buttons for its parameters. It also has a useful noise generator and some other cool functions that include auto-tuning, chorus, a multi-mode arpeggiator and a keyboard that can be split into two key-zones, making it somewhat bi-timbral. All six voices can be stacked in unison mode for a powerful and thick lead sound. Its features and sound make the AX60 a worthy alternative to Roland's Juno 106. The AX60 may have been used by Bjork.
- Demos & Media
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Audio Clip 1 - Hear some sounds by Garren Morse.
- Specifications
- Polyphony - 6 Voices
- Oscillators - 6 VCOs
- Memory - 64 Patches
- Filter - Lowpass analog filter
- VCA - Standard ADSR
- Keyboard - 61 keys
- Arpeg/Seq - Arpeggiator
- Control - MIDI (2 parts)
- Date Produced - 1986
- Resources & Credits
Images from Perfect Circuit Audio.
Errors or Corrections? Send them here.

The sounds range from soft-ish through to brutal and harsh.
The res filter is not like anything Ive ever heard before.
25% on the AX-60 res filter is like 100% on anything else and gets really aggressive after that but not in the normal res filter way, becomes more like a distortion effect.
Great cliche 80's sounds can effortlesly be had but it will easily go outside the realms of normal.
And yes its true, you can make the "Jetson's" car sound on one of these :)
For someone wanting a ballsy and in your face synth for new wave and/or industrial you cant go wrong.
The pitch-bend wheel can be set to affect VCF Cutoff frequency rather than pitch, and in this way the VCF frequency can also be automated.
thanks for your help!
http://soundcloud.com/aesis