Akai AX80
The AX80 has the privilege of being the first pro-keyboard produced by Akai, released in 1984. It's an eight-voice programmable analog synthesizer with a full 61-note keyboard and a series of techno-looking LCD bar-graph displays running across the top of the keyboard. Two analog oscillators per voice plus a sub oscillator provide the basis of its punchy analog sounds that can be described as similar to a Chroma Polaris or Roland Juno 106. Very good bass, brass, synth sounds, and effects are possible. However its strings are average at best.
The blue and orange florescent LCD displays use a simple and intuitive bar-graph format to show all its parameters and values, making for one of the best on-board displays ever! You have to wonder, however, with such a cool display, why couldn't they have included dedicated sliders and knobs for each parameter (see the AX60). A decent amount of patch storage and nice enough sounds make the AX80 a useable synth to have around, but it probably won't replace your Roland Juno. Other notable features of the AX80 include an angled rear panel for easy cable connections, chord memory, MIDI control, and pitch/mod wheels. It's been used by Mark Bell (LFO) on Bjork's Homogenic.
- Demos & Media
-

Video 1 - Akai AX80 | demo by WC Olo GarbAudio Clip 1 - Hear some individual samples, courtesy of Jason "Jinx" Zambito / Club Recordings.
Manual - Click this link to download the owner's manual.
- Specifications
- Polyphony - 8 voices
- Oscillators - 2 per voice + Sub Osc. (sawtooth or variable pulse width)
- Filter - 8 VCFs (1 per voice)
- VCA - 8 ADSRs (1 per voice)
- LFO - 3 LFOs controlling OSC 1, OSC 2, VCF
- Keyboard - 61 keys (velocity sensitive)
- Memory - 96 patches (64 user, 32 preset)
- Control - MIDI
- Date Produced - 1984
- Resources & Credits
Images from Switched On Music Electronics.
Thanks to Jeff Bergman for providing information.
Errors or Corrections? Send them here.


I've Owned my AX80 for a year and use it almost exclusively
for bass. it has a powerful, dynamic output that can growl
very deep if you know how to program the envelopes and filters.
it just sounds different than all other synths. And sounding
different is what makes your music stand out... keep
your virus and sound like everyone else, I'm glad this one
has to be explored beyond the presets to be appriciated.
Also Re: Mem3 - this guy has no idea what he's talking about the AX-80 is bad ass. I've had a ton of synths and it is very powerful you just need to spend some time with it since there are no knobs tweaking patches is kind of a [beep] .
YMMV but if you are looking for something that stands out above the crowd it tries to emulate (e.g. Juno, DX7, etc.) - good luck, this one is not even in a category. Calling it a "pro" synth is like calling cassio rinky-dinks they sell in radioshack a "virtual analog".