Akai MPC2000 / MPC2000 XL
The MPC2000 is a professional and user-expandable 64-track sampler-sequencer workstation. Its sampler is like the S-2000 which comes with 2MB sample memory which can be expanded to 32MB. Sampling specs include a cd-quality 16-bit, 44.1 kHz sample rate in stereo or mono. All the necessary edit tools are here: tune, pitch shift, truncate, looping, key placement, velocity effects and more. Up to 32 voices of polyphony, complete MIDI implementation, a built-in disk drive and a SCSI interface prepare this sampler for any situation.
The sequencer is intuitive and fun to use. It will do notes as fast as 32nd notes and can record in real- or step-time. There are several sequence edit functions. Swing and quantizing functions also available. The MPC2000 is designed to be the centerpiece of your music production studio. It will transmit sync and MIDI information too. Individual tracks can be muted for building and changing your music live! The MPC series of sequencer samplers have long been the standard means of HipHop and TripHop music creation.
The MPC2000 XL adds several new features which include a Next Sequence key, four bank keys, Track Mute key, a hinged LCD, multi-program playback, device naming, MIDI soft thru, multi-track recording, time stretch, resampling (can down-convert samples to 22 kHz or 8-bit), simultaneous playback of a second sequence, and folder file management. The MPC2000 XL Studio Sampler version also adds an 8-out board and SMPTE board, and S/PDIF digital I/O built in. A standard MPC2000 XL can be upgraded to the Studio Sampler using the optional IB-M20T SMPTE board and Multi-8/DM Digital In/Out Board. There is also an MPC2000 XL Studio Plus model, which comes with all the expansion boards found in the Studio Sampler version as well as the EB16 SampleVerb Multi-Effects Processor Board option built-in. Each expansion board is about $250 ($350 for the SampleVerb board).
The MPC2000 and MPC2000 XL can be upgraded to include up to 8 outputs, digital I/O, 4 multi-effects processors, expanded filters, 8MB Flash ROM board, SMPTE board, MPC Sound Library, and alternate internal disk storage mediums can be added. The MPC2000 is a classic, and still perfect, entry level, studio quality sampler-sequencer that you can use to start making killer HipHop tracks just like the pros do! It has been used by Cirrus, Todd Terry, Underworld, Roni Size, A Guy Called Gerald, Freddy Fresh, Linkin Park, DJ Premier, Primo, Kanye West, DJ Shadow, Dr. Dre and Apollo 440.
- Specifications
- Polyphony - 32 voices
- Sampler - 44.1 kHz sample rates; 16-Bit; 2 MB expandable to 32 MB; Built-in floppy disk and SCSI interface; Supports sample data from S1000 and S3000 series samplers, the E-mu EIIIx library, Roland S750/S760 libraries, .WAV files samples.
- LFO - 2 LFOs
- Filter - 12 dB resonant filtering
- Effects - Up to 4 effects
- Keyboard - 16 soft pads with velocity
- Sequencer - 300,000 note sequence capacity; Supports both linear and pattern-style (looped) recording; Step Edit mode; MIDI clock, MTC, and SMPTE (optional)
- Control - MIDI
- Date Produced - 1997
- Websites of Interest
- Resources & Credits
Images from Perfect Circuit Audio and Akai Pro.
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seriously though. before i screwed up n went macintoch, the mpc was a die hard indespencable center of my studio. i dont know how but the interface makes you more productive through ease of use. its inspiring to work with. i really want one back. :(
OH and [beep] AKAI!? you went from 24/96 on the 4000 DOWN back to 16/44.1 on the later models!?!?! Way to loose the professional market, dix...
'Penultimate' means second to last
SMPTE has nothing to do with DOS, it's time code.
The sampler is OK, it sounds identical to the Akai s-2000, warm but real digital and raw - the sequencer is where this shines, it's like an ASQ-10 but with even more possibilties.
I never got the 8 outs for it, and the SEMPTE code is useless in 2010 (unless you're still running MS-DoS, in which case you may just be living 16 years behind the rest of us)
anyway, if you see one for under 500 and it looks relativley new, pick it up, you won't be able to do much in the way of mixing and mastering without a good multitrack recorder, but if you already have one than it's time to buckle down with the learnign curve and get to work, these are serious instruments that belong in the hands of only the most serious and capable artist.