Akai MPC60

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The MPC60 is the music production studio that has single-handedly taken over the Rap and R&B music genres as the main instrument of HipHop production. Designed by Roger Linn (Linn Drum), the MPC60 is a one-box-does-it-all sequencer-sampler workstation.

The built-in sequencer is very complete and professional. There are 99 tracks per sequence, 99 patterns, and 99 sequences that can be created, edited and stored in the MPC60 with ease. Most artists create their patterns in real-time adding drum parts to a beat-loop spontaneously creating a groove that captures the vibe. These patterns are varied and chained into a sequence. Full MIDI, SMPTE and various other forms of external control prepare the MPC60 for any studio situation.

The Sampler section is lo-fi but highly respectable. Its 12-bit sampling at 40KHz is pretty good. Sample editing, looping and transforming is simple to do. And finally, there's even a built-in drum machine for extra groove! Finally, the 18 voices of polyphony should be plenty of room for anyone who wants to create HipHop on the machine of professional artists worldwide including Apollo 440, BT, Jean-Michel Jarre, Jimmy Edgar, DJ Shadow, Jermaine Dupri, and A Guy Called Gerald.

Akai MPC60 II Image

In 1991 the MPC60 mkII was unleashed. It wasn't much different, the casing and a head-phone jack were new and either machine is still very useful for today's aspiring musicians.

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About the Akai MPC60 PT. 1
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returnofthemega
ManualClick this link to download the Akai owner's manual.

Specifications

Polyphony - 16 voices
Sampler - 12-bit, 40kHz, Stereo
Memory - 768KB (13.1 seconds) expandable to 1.5MB (26.2 seconds)
Filter - No filter
Sounds - 32 Drum sounds
Keyboard - 16 soft pads (w/ velocity & aftertouch)
Arpeg/Seq - Sequencer: 20 songs, 99 sequences, 99 tracks, 60,000 note capacity
Control - MIDI, MTC, SMPTE, FSK24, Pulse 96, click in
Date Produced - 1988

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