Moby's Kit-List:

  Akai S2000
  Akai S3200
 

  Akai S3000
  Akai S1000
  Akai S950
  Alesis MMT-8
 

  Casio CZ101
 

  Oberheim Matrix1000
  Roland TB-303
  Roland TR-909
  Roland TR-606
  Roland Jupiter 6
  Roland Jupiter 8
 

  Roland Juno-106
  Serge Modular
  Yamaha SY22
  Yamaha SY35
  Yamaha SY85
  Waldorf Pulse


 
Discography:
 
(selected)

  Moby, 92
  Ambient, 93
  Early Underground, 93
  Move, 93
  Moby, 95
  Everything Is Wrong, 95
  I Like To Score, 97
  Animal Rights, 97
  Play, 99



  MOVIES:
  Heat, 95
  Scream, 96
  Cool World, 97
  Double Tap, 97
  Joe's Apartment, 97
  Tomorrow Never Dies, 97
  The Saint, 97

  Go to CD-NOW.COM
  to buy Moby CDs!


 
Links:

  moby.org
  Bart's Moby Page
  Damian's Moby pages
  Moby Worship Page
  Matthino's Moby Page
  Moby Discography
  Moby & Christianity
  Samu's Moby page
  Moby Newsgroup
  Elektra's Moby Info
  iMusic Moby Info
  Meijer's Moby Info
  Mobility mailing list
  Ring of Moby fans
  Yahoo! Moby club
  Yahoo! Moby Fans Club


 
Artist Profiles

  ATB
  BT
  The Crystal Method
  Fatboy Slim
  Ferry Corsten
  Meat Beat Manifesto
  Moby
  Mr. Oizo
  Orbital
  Rabbit in the Moon
  William Ørbit
  Uberzone


Artist Profile: MOBY

M

O

B

Y
  Moby has been around forever now it seems. Throughout the nineties Moby has dabbled in all sorts of styles like punk rock, house, techno, ambient, soundtracks and scores and now..electro-blues! The man behind Moby is Richard Hall, and his latest release Play marks his eighth release and its his most successful commercial chart-topping album yet.

Porcelain - Here it is, the popular and commercially successful song from the movie, "The Beach" and various TV commercials. From the album Play, 1999.

  Though Moby seems to switch from one musical style to another with each new album he never seems to spread himself too thin. He's got a classic song from each style he has produced music in. From the techno-y "Go" to the "Natural Blues" of his current album. Thematic piano and strings music such as "God Moving Over The Face Of The Waters" and classic remixes of famous tracks by Orbital, LFO, the B-52's, Blur, David Bowie, Depeche Mode and even the James Bond Theme for "Tomorrow Never Dies". His unique sounds, style and flare clearly identify his music as Moby, whatever his current style, mood or flavor is!

Oil 1 - This is a classic Moby house track used in the movie The Saint. From the album I Like To Score, 1997.

  Moby typically writes, programs, performs, records and mixes his music all by himself. In his music, Moby relies heavily upon his Yamaha SY-22 for his 'signature' string sound which can be heard throughout most of his work! Moby also relies heavily upon sampling for creating his own beats, grooves and loops and seems to prefer the older 'Vintage' Akai S950. Moby says "The S950 is a wonderful machine. It's really special for looping and rimming samples. For some reason it's just more intuitive." As for the workhorse S3200 sampler Moby says, "The S3200 has two filter banks which I really like."*

God Moving Over The Face Of The Waters

This was used as the death-Scene music in the 1995 Michael Mann movie, Heat. Midi-File by Eric Goldberg.


From underground to the foreground, we'll be seeing more of Moby!

* From an Interview in Future Music, Issue #84.

  Original images from www.moby.org.


DISCLAIMER: The music and texts presented on this page are the copyrighted property of their respective owners (the record labels or writers noted). Unauthorized reproduction, distribution, public performance or derivative works are prohibited by law (domestic and international). These files are short, edited excerpts at reduced sound qualities and are intended for demonstrative purposes only, presented for Fair Use.

Printed May, 2000.




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