E-mu Emax
The Emax is a classic sampler workstation from E-mu. It is sort of a next generation Emulator II, it's not as good as an Emulator III but it's more powerful than previous EII's. The Emax can be found in several forms: the Emax, the Emax Rack, the Emax HD (built-in 20MB hard disk), the Emax HD Rack and the Emax SE (Synthesis Enhanced) with a built-in synthesizer section. The Emax's editing system will be familiar to users of E-mu's excellent ESI series.
The Emax has an extensive library collection of samples that can be loaded via the built-in 3.5" hard drive. Or you can sample your own sounds. The Sampler is powerful, but lo-fi. It samples at 12-bit resolution with variable sample-rates up to 42kHz. The built-in memory is 512K which only gives you a few good seconds really. Sampling and editing is easy, complete and intuitive with auto sample placement, auto-looping, truncating, reversing, velocity cross-fade, etc. The Emax also features individual channel outputs and stereo outputs and extensive MIDI implementation.
The Emax features many common analog synth-type controls for easily shaping your samples. Tune, filter and shape the envelope or use LFO's and chorus to liven up your samples. There's also an on-board sequencer section. A real-time only 16-track, non-quantizable sequencer for basic scratch-pad use or simple arpeggios or patterns. The SE and SE Plus models, the most advanced of the 12-bit Emax's, add a synthesizer section, newer advanced digital signal processors for sample editing and a SCSI port (standard on the SE Plus). The Emax instruments were the most advanced of the classic keyboard samplers of the late 1980's.
The Emax II which was released in 1989 brought the Emax series up to modern specs with 16-bit sampling, 16-voice polyphony, 16 MIDI channels, stereo samples, 1MB RAM expandable to 8MB, SCSI, 8 assignable outputs and the SE's synthesis functions. And finally, the Emax II Turbo came with 4MB RAM standard and a 4MB hard disk. Whichever Emax you choose, they're all classic machines still capable of professional quality results when used in making the music of today. It has been used by U2, Orbital, Astral Projection, Skinny Puppy, Meat Beat Manifesto, Nine Inch Nails, Mouse on Mars, Richard Barbieri and Depeche Mode.
- Specifications
- Polyphony - 8 voices (32 channels configured as 16 stereo voices or 16 mono voices w/ stereo chorus in the Emax II)
- Sampler - Emax HD/SE: 12-bit, 10kHz to 42kHz variable (52 seconds at 10kHz);
Emax II: 16-bit - Memory - Emax HD/SE: 512K memory;
Emax II: 1MB (expandable to 8MB) - LFO - Yes
- Arpeg/Seq - 16-track sequencer; arpeggiator
- Keyboard - 61 notes (with velocity and poly pressure messages)
- Effects - Chorus
- Control - MIDI
- Date Produced - Emax: 1986, Emax II: 1989
- Resources & Credits
Images from E-mu and Perfect Circuit Audio.
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Is a bit complicated to program, you will need to spend some time but is a performance sampler, it was conceive for personalized editing and versatile live use. Amazing.
1) the Emax adds character to whatever you sample. the sound is big and there is deeper bass than with you'll find with modern samplers. the sound is also somewhat dark and compressed (great for chunky snare hits). the VCF's are capable of putting out a fair amount of resonance and can be modulated by velocity or mod wheel.
2) the E chip is proprietary and if it goes bad it cannot be replaced without gutting out another Emax. pretty much most anything else can be replaced.
3) the main processor is a bit slow, and MIDI timing on the Emax isn't the best, especially for lots of drums or percussion (fast sequences especially).