E-mu Emulator III

The Emulator III was E-mu's biggest classic "Digital Sound Production System". Also called the "EIII", it was E-mu's biggest and most professional sampler-synthesizer prior to the 1990's. It was the first sampler to offer 16-bit CD-quality specs with stereo or mono sampling at 44.1kHz or 33kHz. RAM memory is 4 MB expandable to 8 MB. There are extensive and modern sample editing features (from looping to rate conversions). The on-board 16-track sequencer and arpeggiator are also superb. Equipped with MIDI, SMPTE, SCSI, built-in disk-drive and multiple outputs, the EIII is comfortable in any studio. A Macintosh can also be hooked up to the EIII for easier graphical editing which was very useful since the LED screen on the synth is so tiny.
As a sampler workstation the EIII was at one time the dominating force. Although modern machines far exceed it today, the EIII is still a quality instrument with controls and functions that would be familiar to anyone who uses samplers. A very classic machine that can still stand strong among a generation of sampler workstations 10 years later, the EIII is still in use and will continue to be used for many more years. It has been used by Depeche Mode, Genesis, and JellyFish.
- Demos & Media
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Video 1 - E-mu Emulator E III Demo
- Specifications
- Polyphony - 16 voices
- Sampler - 16-bit, 44.1kHz (67 seconds)
- Sequencer - 16 tracks, 100 patterns, 100 songs
- Filter - Yes there is a filter and it is FAT!
- VCA - ADSR envelope control
- Keyboard - 61 keys (velocity and aftertouch)
- Memory - 4Mb expandable to 8Mb
- Control - MIDI
- Date Produced - 1987
- Websites of Interest
- Resources & Credits
Images from The Audities Foundation.
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I have owned an E-lllxp since the early 90s - got it used for $1200AUD - nice. I secured a second one in 2010.
Sure SCSI is a pain and getting drives SMALL enough (yes) to work with these things is getting harder, but they sound so good.
I sometimes read comments from people who think the OS is somehow complex "WHAT THE .....". Ive owned and own lots of equipment and this has to be one of the most intuitive easy to get around systems ever. If you want complex - try Yamaha's early attempt at a sampler.
Totally professional instrument.
Totally professional performance.