A wonderful early digital synthesizer. With eight notes of polyphony, two oscillators per voice, a noise source, two multi-stage envelopes, a resonant filter and auto-bend, the DSS-1 has much in common with Korg's previous flagship DW-8000. But it went much further, boasting twin digital delays, oscillator sync, an improved unison mode, a lush analog VCF switchable between 12 and 24dB, and more. Whereas the DW-8000 got its raw material from 16 stored digital waves, the DSS1's oscillators take their source from sampling, additive synthesis, or even hand-drawn waveforms!
It actually had a warm sound and was great for creating pads and textures, as well as deep basses and drones. The synthesis method is based on altering various waveform samples via 2 data sliders. It can sample and then treat the samples as its waveforms - that includes all filtering and envelopes.
The DSM-1 (1987) was the expanded rackmount version.
It was used by Jean Michel Jarre, Joe Zawinul, Michael Cretu of Enigma, Mark Jenkins, Hiro Kawahara, Paul Nagle, Shriekback, and Steve Winwood.
- Polyphony - 8 Voices
- Oscillators - 16 - 2 oscillators per voice
- Sampler - 256k
- Memory - 5 sec sampling
- Synthesis - 128 Sine waveforms you re-shape using 2 sliders
- Keyboard - 61 keys w/ velocity and aftertouch
- Filter - Lowpass 2 or 4 pole + envelope
- Control - MIDI
- Date Produced - DSS-1: 1986, DSM-1: 1987
- Resources & Credits
Images from Perfect Circuit Audio.
Thanks to Glen Stegner for providing info.
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