Korg MS-20

Korg MS-20 Image

The MS-20 was one of Korg's first major successful portable analog monosynths and even today it is still a great little machine! The MS-20 is the big brother to the MS-10. It is an analog two-oscillator monophonic lead and bass synth with hard wired and patchable connections. The hard-wiring can be overridden however, using patch-cords. This type of hard-wired but patchable design was similar to the ARP 2600 of the late seventies. Of course the 2600 was much bigger and better. But the MS-20 offered a lot of flexible control and great sounds at a more affordable price.

In addition to two analog oscillators, the MS-20 featured two resonant VCFs (filters), two VCAs, sample and hold, a noise generator, an assignable mod-wheel and lots of knobs! The VCF (filter) section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter. External sound sources can be routed through the filter section as well. In fact William Ørbit uses the filter in his MS-20 relentlessly to filter and tweak his samples, beats, delay returns, vocals, etc.

There's also a Pitch-CV converter for triggering sounds from external sources. Aphex Twin makes quite a bit of use of this, feeding the input stage of his MS-20s with drum sounds and other untrackable audio to get the synth to make a wide variety of crunch/squawp/screech noises by mistracking the filters, etc.

As for its sounds, the MS-20 sounds great! It makes a great alternative for Minimoog-seekers. The MS-20 is great for just about any type of analog synth sound you could want! Fat round bass sounds, percussive bass or sounds, noise effects, squiggly-bubbly sounds or sinuous-worm leads are all waiting to be unleashed from inside this classic beast. The MS-20 is not only a great sounding instrument, but a great learning-synth. It is fairly easy and intuitive to operate but in doing so you can learn and understand more about synthesis and signal-flow. It is used by William Ørbit, Aphex Twin, Hardfloor, Air, SkyLab, Stereolab, Vince Clarke, Astral Projection, Biosphere, Apollo 440, Mr. Oizo, Jimi Tenor, The Prodigy, OMD, Freddy Fresh, Luke Vibert, Einstuerzende Neubauten, Add N to (X), Daft Punk, Coldcut, Die Krupps, Skinny Puppy, Electronic Dream Planet, Jimmy Edgar, Front 242, Front Line Assembly, The Legendary Pink Dots, KMFDM, Severed Heads, Royksopp, The Faint, The Shamen, Jean-Michel Jarre, and Portishead.

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113 Visitor comments
Antoine
June 29, 2012 @ 6:22 am
ah, i remember, i got it for 25$ from someone who doesn't know the true price, and sold it for 600 because some things weren't working :( i'm sad now
Martin Creely
May 30, 2012 @ 12:27 am
Sooo much fun. I have always regretted trading mine in...
Cem
March 28, 2012 @ 10:32 pm
Very versatile for lead, for the bass, for experiment stuff. Beautiful synth and huge filter.
Richard
March 9, 2012 @ 6:14 am
It saddens me that these are so overpriced these days. If you're expecting fat basses or creamy leads you'll be very, very disappointed. If you love to experiment, you'll obviously love it, until you realize that it's more limited than it first appears. The keyboard is clunky, the pitch follower unruly but fun, and it obviously beats most mono's on looks - which is the real reason people who haven't had one want it, but sssht... that would be telling.
synthbuff
November 19, 2011 @ 8:31 am
Very unique synth - the VCF's are legendary, and the semi-modular format takes it above other synths of the period in flexibility. Not as versatile as a true modular, but has its own charm. Very rare to get a 2nd hand bargain these days, as current prices are £1000+. Considering it was a "budget" synth on release, this attests to its sonic potential. The plug-in version is a good copy, but the real is the deal.
 
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  • Check Prices on eBay
  • The link above will take you to a search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - Monophonic
  • Oscillators - 2 VCO's + noise
  • LFO - One LFO w/ multiple waveforms
  • Filter - 2 MultiMode VCFs: Lowpass, Highpass, Notch, BandReject; with ADSR
  • VCA - 2 VCAs: ADSR + Sample and Hold with an envelope follower
  • Keyboard - 37 keys
  • Arpeg/Seq - None
  • Control - CV/GATE
  • Date Produced - 1978-83
  • Resources & Credits
  • Images from a Korg product brochure and Perfect Circuit Audio.

    Additional information provided by DAC Crowell.

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