Korg • MS-20

Korg MS-20 Image

The MS-20 was one of Korg's first major successful portable analog monosynths and even today it is still a great little machine! The MS-20 is the big brother to the MS-10. It is an analog two-oscillator monophonic lead and bass synth with hard wired and patchable connections. The hard-wiring can be overridden however, using patch-cords. This type of hard-wired but patchable design was similar to the ARP 2600 of the late seventies. Of course the 2600 was much bigger and better. But the MS-20 offered a lot of flexible control and great sounds at a more affordable price.

In addition to two analog oscillators, the MS-20 featured two resonant VCF filters, two VCAs, sample and hold, a noise generator, an assignable mod-wheel and lots of knobs! The VCF filter section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter. External sound sources can be routed through the filter section as well. In fact William Ørbit uses the filter in his MS-20 relentlessly to filter and tweak his samples, beats, delay returns, vocals, etc.

There's also a Pitch-CV converter for triggering sounds from external sources. Aphex Twin makes quite a bit of use of this, feeding the input stage of his MS-20s with drum sounds and other untrackable audio to get the synth to make a wide variety of crunch/squawp/screech noises by mistracking the filters, etc.

As for its sounds, the MS-20 sounds great! It makes a great alternative for Minimoog-seekers. The MS-20 is great for just about any type of analog synth sound you could want! Fat round bass sounds, percussive bass or sounds, noise effects, squiggly-bubbly sounds or sinuous-worm leads are all waiting to be unleashed from inside this classic beast. The MS-20 is not only a great sounding instrument, but a great learning-synth. It is fairly easy and intuitive to operate but in doing so you can learn and understand more about synthesis and signal-flow. It is used by William Ørbit, Aphex Twin, Hardfloor, Air, SkyLab, Stereolab, Vince Clarke, Astral Projection, Biosphere, Apollo 440, Mr. Oizo, Jimi Tenor, The Prodigy, OMD, Freddy Fresh, Luke Vibert, Einstuerzende Neubauten, Add N to (X), Daft Punk, Coldcut, Die Krupps, Skinny Puppy, Electronic Dream Planet, Jimmy Edgar, Front 242, Front Line Assembly, The Legendary Pink Dots, KMFDM, Severed Heads, Royksopp, The Faint, The Shamen, Jean-Michel Jarre, and Portishead.


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JiliusRex
Posted 377 days ago
herzinberg: isnt that depending on if u like the synth, look up some demos on youtube, if u like the sound snd the possibilitys of the ms-20 and feel you want it then go for it... i mean the importance is not if it suits a certain style of music but rather if u as a musichan can fit it in... good luck
herzinberg
Posted 381 days ago
Hello, pals!

Need your advice! Im writing proggressive house, electro house, house. Is that the real thing to have for me? I have a doubt... I have Minimoog Voyager, Studio Electronics SE-1x Nova Edition and Access Virus TI Keyboard. And what it the real price range on this beats? On ebay I can see the interval in prices between 1400-2300 USD... Please help!
pflosi
Posted 382 days ago
yeah i agree, PWM would be a great future. it's maybe the ms20's only limitation. i wonder why they didnt give it a jack...
Bob Rossa
Posted 393 days ago
I have an MS20 that I bought new in the early 80's and I love it and do not foresee getting rid of it.
I do want to say in regards to the last post, while the MS20 is extremely versatile, there is no voltage control for the pulse width. There's a knob but that's it.
Micke
Posted 401 days ago
The MS-20 has also been used by D.A.F., Azul Y Negro, Gino & Joe Vannelli, Carlos Guirao/Neuronium, Cosmic Overdose, Twice A Man, A flock of seagulls, and Alphaville.
 

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