Korg PolySix
The PolySix was a milestone because, along with the Roland Juno 6 which appeared almost simultaneously, in 1981 the PolySix was the first opportunity ordinary mortals had to get their hands on a proper programmable polysynth. Up until then, you had to be loaded to afford a Prophet 5, Oberheim OB-Xa, or Roland Jupiter 8.
At first glance it looks like a scaled-down Mono/Poly, but really it's not! In fact it had a lot of great new features such as 32 memory patches, 6 voices of polyphony, cassette backup of memory, even programmable modulation effects and Chorus, Phase, Ensemble!
The Polysix has warm-sounding real analog oscillators, softer and brassy-er sounding that the Juno. Engage the built-in Chorus on a simple single-oscillator sawtooth patch and you were pretty darned close to that expensive Prophet sound. But the big ace in the Polysix's hand was the Ensemble effect. Instant Mellotron-like strings.
Like the Mono/Poly the voices can be played in Unison for a 6-oscillator lead sound that was so big, it was often too big! The advanced arpeggiator can memorize and sequence chords across the keyboard. The PolySix has now been recreated in software as part of the Korg Legacy software bundle! The PolySix has been used by Eat Static, Geoff Downes, Astral Projection, Jimi Tenor, Global Communications, Kitaro, Robert Rich, Keith Emerson and Tears for Fears.
- Demos & Media
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Video 1 - Korg Polysix Analog Synthesizer pt.1
Video 2 - Korg Polysix | demo by WC Olo GarbAudio Clip 1 - A short sampler of some PolySix sound and modulation abilities.
Manual - Read or download the complete owner's manual for the PolySix
- Specifications
- Polyphony - 6 Voices
- Oscillators - 1 VCO per voice (saw, PW, PWM) + 1 sub-oscillator per voice
- LFO - 1 LFO assignable to VCA,VCF or VCO
- Filter - Low-pass only, self-oscillates at high resonance. ADSR envelope for VCF (filter).
- VCA - VCA uses filter's ADSR envelope or simple gate on-off
- Effects - Chorus, phaser, ensemble
- Memory - 32 patches
- Keyboard - 61 keys
- Arpeg/Seq - Arpeggiator (Up, Down, Up/Down, Latch; Full, 2-oct, 1-oct; rate 0.2 to 20 Hz)
- Control - Chord memory, Arpeggiator sync in, CV input for filter cutoff.
- Date Produced - 1981
- Websites of Interest
Synthwood - wood parts for synthesizers
- Resources & Credits
Images from yousenditworks eBay Store.
Thanks to Paul Hurt and Kalle Paulsson for submitting info!
Errors or Corrections? Send them here.


If it's a Roland drummachine you want to sync it with, the easiest way is to connect a trigger out (most of Rolands drummachines have that) to the arpeggio trigger in on the P6.
That is how I sync my P6 to my tr-606. The only problem is that I lose the tombs...
If there is another better way to solve this, I would also love to know
thanks!
As for it being a simple synth, true - it's the simplest of all my synths in architecture and yet it has that amazing sound when you need it, especially good if you upgrade/retrofit a BETTER QUALITY keybed to it (Juno 2 is a decent fit and quality keys, you'll need to swap diodes and fix brakets etc then it feels as good as it sounds) :)
The cheap keys on the Polysix really do it a disservice, both for flaky contacts and their thin plastic feel - it feels twice as expensive with J2 keys on
Also you can hook that keybed's aftertouch sensor up to something inside the p6 (custom) to control say the filter or MG. magic! ;0