Korg • Trinity

Korg Trinity Image

The Trinity was a major break-through synthesizer for Korg. It is a beautiful, state of the art and superb sounding music workstation which first appeared in 1995. Its most notable new feature to the synthesizer industry is the super-cool 320 x 240 TouchView Graphical User Interface....which is also the heart of the instrument! This workstation seamlessly combines excellent digital sounds, in-depth yet intuitive programming, real-time controllers, upward expandability and elegant design to create the perfect all-around synthesizer.

The Trinity's sounds come out of a 24MB ROM chip with 48kHz multi-samples of about 375 sounds and 258 drums. You can even add an expansion board of Prophecy sounds and Z1 sounds! There's a good digital multi-mode filter with hi/low/band pass, band reject, resonance and more. There's also 110 effects for adding life to your sounds...up to 8 simultaneous insert effects and 2 master effects.

The Trinity has an excellent on-board sequencer allowing it to be the center of your music studio...it's that good! And it's fun to use the touch-screen. It's a 16-track sequencer with an 80,000 note capacity, 100 patterns and 20 songs. With the 32 voices and plenty of drum sounds, you can use the Trinity as your all-in-one music studio! Great in the studio, or live there are plenty of real-time controllers including a Joystick, Ribbon controller and 2 assignable knobs and multiple sound outputs. Expandability includes a SCSI port, Internal Hard Disk Recording, 8Mb Flash Rom Playback-Sampler Option (which reads all Korg and Akai sound libraries), Digital ADAT I/O option and the SOLO-TRI Prophecy expansion board.

And now for the history... The original Trinity was released in 1995 and had a hefty 24 MB sample ROM though it lacked some of the features described above. Then, in 1996 the Prophecy sounds were included in the Trinity Plus model. Following that came the Trinity Pro which is basically the same as the Plus but has a full 76 note keyboard. And if that wasn't enough there's always the Trinity ProX which has 88 keys! And then came the V3 series in 1998 (with its own entourage of Pro and ProX keyboards). The Trinity V3 (pictured above) added all the guts and glory of the Korg Z1 for even more outstanding musical sounds! The benefit of the Prophecy and Z1 features is MOSS, Korg's physical-modeling technique that made the Prophecy famous! The V3 or Z1 MOSS board can be added to the older Trinity models. At last it can be said that the final Trinity is the new Triton, released in 1999.

The Trinity(s) has been used by Juno Reactor, David Holmes, Antiloop, Dream Theater, A-Ha, Depeche Mode, Duran Duran, Mike Oldfield, Kitaro, Rick Wakeman, Yes, Vangelis, Yesterdays, Spocks Beard, Alphaville, and Max Martin.


VISITOR COMMENTS

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Rob Parker
Posted 281 days ago
Yeah but honestly, the Trinity and OASYS really even comparable? OF course the OASYS is better!
planetplayer
Posted 312 days ago
Not a big fan. O1/W was better OASYS is much better.
Mark Perrett
Posted 313 days ago
The drum/cymbal samples - though good for the time - sound like they were done in someone's bedroom. Bass/snare samples all sound very ambient and "boxy", even when claimed to be "dry". Many also sound like they are the same sample, but EQ'd and/or processed in various flavours. Some are gated, though not stated as such, and thus have unrealistically short decay times. Also, the cymbals/rides/hats are heavily EQ'd, and reduced to a fizzy signal around 12kHz with all the clang cut out. Overall therefore, very difficult to recreate classic 70s dry drums and classic rock cymbals/hats/rides - and believe me I have spent many hours trying! But the Trinity is still a great machine, and a lot easier than recording a real drummer.
niko
Posted 408 days ago
je peux metre des sounds par cable midi depui une korg triton ,sur le korg trinity plus, merci pour votre aide, niko
Korg Mad
Posted 429 days ago
Trinity...say no more the name sort of says it all really,awesome sounds and still warm for a digital machine,perhaps Korgs finest hour that they never ever really superceded in terms of features inside the Sequencer section,I guess it was an early mid 90s attempt at what the Oasys now has to offer.
Solo Moss board was good,and I also had the PBS(Playback sample option)which allowed you to load either Korgs format PCM sets or you could load your own Akai S series or Aiff files,good thing about the PBS board was that it allowed you to load 8mb of sample data and the samples were still retained after powering off,so no need to reload you sample sets for the next session..
 

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