wow, it's amazing what the perspective of time will bring. my studio had a chroma polaris back in 86, and we really never liked it. but i recently had one dumped in my lap, and 20 some odd years later it's amazing how things change. the polaris i own now takes some finessing to get it in tune but once you do, it sounds pretty amazing.

in our studio we have a pro one, a memorymoog, a SCI six track, and a few other early 80s synths, and much to my surprise, the polaris really holds it's own. and like the previous comment mentioned, the fact that even though it was one of the very first synths with MIDI, every parameter was controllable, comes in very handy. I also own another early 80s early midi synth, the Akai ax-80, and there's no comparison...

Classic analog sound with MIDI functionality that will rival any synth on the market today. Nearly every parameter will transmit and receive MIDI – amazing back in 1984. Sound quality is reminiscent of the days when the OB 8 and Jupiter 8 ruled the land. While not as famous as those great synths, the Polaris’s sound more than holds it’s own against such synth royalty. The Polaris has 6 note dynamically allocated polyphony but it’s also 6 part multi-timbral. There are two very real VCO's that slowly drift out of tune as they heat up - just honest raw analog power. When needed there is a simple "Tune All" function that perfectly tunes all 6 voices in a few seconds. The filter is fat and the resonance will growl nicely if you need that. I gigged with it extensively and It worked perfectly for 11 years until the membrane switches began failing. That’s a common problem with these beautiful machines. If you find one in working condition BUY IT NOW because it will be gone tomorrow.