Native Instruments FM8


The successor to the award winning FM7, Native Instrument's FM8 continues where its massive predecessor had stopped. FM8 has an all new user interface and color scheme which looks nothing like the DX7-inspired interface the FM7 has. It's a powerful FM software synthesizer (VSTi, DXi, RTAS) which can be used for a wide range of genres. It has the potential to provide bread 'n butter sounds like a typical ROMpler would and is thus a synthesizer with the power to become one of the few software synthesizers you'll ever need. Forget about the complexity of algorithms found in Yamaha's DX-series and FS1r, FM8 has an FM matrix in which the user can define any FM path imaginable. Forget about the small two-line displays of the old days, FM8 has a clean user interface where every feature is one or two mouse clicks away and about every aspect of FM8 can be assigned to a controller via the MIDI learn button.

With multi-segment envelopes, multi-segment scaling curves and an extensive modulation matrix, FM8 is capable of very detailed sounds baring an almost human quality and realism. If anything, FM8 is a synthesizer which invites you back to the era where it was fun and rewarding to create new sounds from scratch again. Thanks to the many sound shaping aspects you can change with velocity, aftertouch and other controllers, FM8 can be exceptionally expressive and musical. Add to this a vast new effects section and within a minute you'll forget the FM beasts of yesteryear. FM8 grows on you like a fine wine; the longer you use it, the more you'll appreciate it. Every now and then you'll find out it's possible to craft sounds you never thought of as possible, a unique experience which sound designers thrive on.

The IN-operator becomes effective when FM8 is being used as an effects plug-in (called FM8fx). Any audio source that's fed into FM8fx can be used as operator output. It can modulate and be modulated by the FM8fx operators, giving practically infinite sound shaping possibilities. Evidently, a normal FM8 instance can (as a whole) modulate an operator in an FM8fx instance. Simply put: the output of a complete FM8 patch (including its effects!) can modulate a simple sine wave in an FM8fx instance. Use a sample player to feed a sample into FM8fx and you'll enter SY77/99 territory.

A practical aspect of FM8 is its low CPU usage. On a recent PC, multiple instances of FM8 together will easily give you hundreds of voices and tens of effects, which makes it a handy tool for any musical production. Sounds which FM8 does very well include all sorts of bells and chromatic percussion, DX pianos, organs, Rhodes, a wide range of basses, guitars, strings, lively percussion instruments, rich synthvoxes, classic stringmachines, woodwinds, brass, evolving pads, synthpads, expressive leads, harsh leads, sound effects, and all with fine musical expression and control.

FM8 is caviar for sound design gurus, which is something to keep in mind: it's still FM. FM may not be for everyone, it doesn't have the straightforward design of a traditional analogue synthesizer or even a basic ROMpler. FM-synthesis is vast, and demands more efforts before your sound sounds well, and even more efforts before it sounds musically expressive. Luckily, this isn't a DX synth with a complex user interface, and even novice users will discover that the basics of FM8 are not too hard to understand. From the perspective of the user interface, Native Instruments has done their job very well.

It has been used by Skrillex.

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22 Visitor comments
Dan Cairney
September 25, 2013 @ 7:20 pm
Hey: Google: "Bobby Blues DX7 all the web" and get about 20,000 patches in sysex format that will work in FM 8. Enjoy!!!!!
andy
June 8, 2013 @ 7:40 pm
One of my most used and favourite plugins. Of particular note is the absolutely superb arpeggiator, which when MIDI-clocked can provide practically the whole accompaniment to a techno/trance or eurobeat rhythm. An excellent preset patch is one called 60s Mute Bass, which you can hear on Never Forget You and many of my solo records. Very versatile and authentic sounding.
Sammy James
April 22, 2013 @ 4:26 pm
I have used FM8 to create a four-song EP, called appropriately, "FM." Go to http://www.sammyjames.com/samples.html to listen to the entire EP for free via my SoundCloud widget.

Let me know what you think by contacting me via email at my site, or by commenting on the SoundCloud streams.

Thank you.

- Sammy James
http://www.sammyjames.com
gary ablet
February 4, 2013 @ 5:06 pm
JJ Jetflow is a complete asshole!!!! He is the same on KVR running his stupid mouth and talking [beep] . He makes out he is this great expert when in fact he could not mix to save his [beep] ing life and most of his thread replies are full of [beep] and he is a spitefull [beep] ing asshole. Hate this guys [beep] ing guts.
abel
March 8, 2012 @ 6:58 am
I run my FM8 through Tascam US1641 it's 96/24 and I can officially declare THERE IS NO SUCH THING. Every thing that some people spread on the net like "the software is plastic, the software is thin, it's simulation" etc.......is just one big speculation what they inculcated! don't believe them! Every thing what that people spread about analog synthesizers is MYTH! Because the analog synth sound is that what the technology WAS in the 70's ..not because they are better! ......Warm!? many synths can sound warm in their own way!!!!!
 
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Rated 3.71 (283 Votes)

  • Check Price
  • The link above will take you to an eBay search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - max 64 per instance
  • Multitimbral - no
  • Oscillators - 6 operators, noise operator, input operator
  • Waveforms - 32 basic shapes, including TX waves and formants
  • Filter - 2 lowpass, bandpass or highpass, parallel or serial
  • LFO - 2 LFO's with various waveforms
  • Envelope - 1 multi segment envelope per operator
  • Sequencer - None
  • Arpeggiator - max 32 steps
  • Effects - 12, including reverb, modulation effects, cabinet, EQ, Tube
  • Macintosh Requirements - OS X 10.5, Intel Core Duo 1.66 GHz, 512 MB RAM
  • Windows Requirements - Windows 7 / Vista / XP, Pentium / Athlon 1.4 GHz, 1 GB RAM
  • Date Produced - 2006
  • Resources & Credits
  • Review by CS_TBL

    Reviewed December 2009

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