Alesis Micron

Alesis Micron Image

The Micron is like an Ion packed into a compact 3-octave keyboard for the "on-the-go" musician. The Micron boasts the same analog modeling sound engine as the acclaimed Alesis Ion, offering breakthrough analog realism, high-resolution control, and tremendous value. The Micron is compatible with Ion programs and holds over 1,000 programs and multitimbral setups. It's therefor best used as a preset type synthesizer - either download your own Ion patches or others into the Micron and take them on the go. Sure the Ion is a hands-on synth programmer's feast, but the Micron gives you access to the same power as the Ion in a compact synth ideal for gigging, practicing, composing and just good old fashion playing around with!

Most obviously, the Micron has done away with just about all the real-time controllers found on the Ion, offering just three 360-degree endless parameter knobs, two assignable modulation sliders and one assignable backlit pitch wheel. Slim pickin's but enough for live performances (you only have two hands!) or quick tweaks. Sure you can delve deeper into patch editing and even the extensive twelve-route modulation matrix (with 114 sources and 78 destinations) but that's tedious with so few controls.

Despite its rather simple looking design, the Micron does house a beast inside - full of programmable functions! Just like the Ion, the Micron offers continuously variable wave shapes, plus osc-sync and FM synthesis. The Micron has 8-voice polyphony with three oscillators per voice, and is up to 8-part multitimbral. There are two multimode filters with 20 filter types (upgraded from 16 in the Ion), three envelope generators and two LFOs with multiple wave shapes and sample & hold. In addition to its powerful modulation matrix, the Micron offers a programmable step sequencer, an arpeggiator, a rhythm sequencer for drum kits, and a dynamic realtime phrase sequencer - all of which sync to MIDI clock. Effects include a 40 band vocoder that does not use up any polyphony, 4 insert effects, and stereo master effects. Stereo inputs let you process external audio through its effects, filters and vocoder - just as you can with the Ion.

So, if twiddling knobs all day is not your thing, but the sounds that come from such efforts are what you are looking for then the Micron may be the synth for you! Instant access to thousands of incredibly realistic analog synth sounds with all the power and programmability of the Ion. The Micron offers all that and more but for less money because of its minimalist design/interface.

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114 Visitor comments
PV
December 17, 2009 @ 10:36 pm
@chris "Please note that Alesis says the Micron is now up to 8 Multi-timbral parts, instead of the 4 it orginally had. I asked Alesis, and they told me about the change, and thier website now reflects this as well."

Is this why they released the blue Limited Edition?
Chris
December 16, 2009 @ 3:20 pm
Please note that Alesis says the Micron is now up to 8 Multi-timbral parts, instead of the 4 it orginally had. I asked Alesis, and they told me about the change, and thier website now reflects this as well.
mcnob
December 15, 2009 @ 1:53 am
Alesis Micron is an amazing synth! Just get one mates. The power that this can give is great. If you actually learn how to program it properly, their are unlimited possibilities. Dont rely on presets, you have no true control!!!
PSBoy
December 14, 2009 @ 5:19 pm
Don't be fooled by the size of this little beast!!!!....This synth sounds fat and great!!!!
Eric
December 12, 2009 @ 1:16 pm
This is a great little synth, I just got one yesterday after having my eye on them for years. I wanted a compact midi controller with decent synth keys for triggering arps in my home studio, and the fact that this thing does that and throws in a top-notch VA synth to boot for a low price made it hard not to buy it.

It's better than I expected. It sounds fantastic. It's very much on the clean side of VA synthesis but it's definitely analog-sounding.

Plus, it's fun! I'm not much of a keyboard player but this thing had me jamming right out of the box. Despite its small size and toyish look, this is a powerful and useful synth. You could gig with this thing alone.

The only real downside is the minimal interface, which is plenty for live performance and quick edits but a bit cumbersome for deep programming. It's really not that bad and you can use software editors to program it, although it would be nice if Alesis would make a simple and inexpensive hardware editor for it.
 
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  • Check Price
  • The link above will take you to an eBay search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - 8 voices (up to 8 multitimbral parts)
  • Oscillators - Alesis proprietary DSP Analog Modeling: Three oscillators per voice, with continuously variable wave shapes (Sine, Square-Pulse, Saw-Triangle), sync and FM
  • Filter - 2 multi-mode filters with 20 classic and unique filter types.
  • Envelopes - 3 EGs: Pitch/Mod, Filter, and the Amp have their own ADSR envelopes.
  • LFO - 2 multi-wave LFOs and 1 S&H. Ring Modulator. FM. hard&soft OSC sync.
  • Effects - One insert drive effect per voice, Two master effects processors, with reverb and delay. Built-in 40-band Vocoder.
  • Keyboard - 37 keys (velocity, release velocity sensitive).
  • Memory - 1,000 Programs (500 preset programs, with space for 400 more) fully compatible with Ion programs.
    Over 200 preset pattern sequences and 250 preset drum rhythms, with space for hundreds more.
  • Arpeg/Seq - Arpeggiator: MIDI-sync-able multiple-pattern plus *random* feature.
    Sequencers: Programmable step pattern sequencer; Dynamic real-time phrase sequencer; Drum Rhythm Sequencer.
  • Real-Time Controllers - 3 360-degree endless parameter knobs, 2 assignable modulation sliders, assignable backlit pitch wheel.
  • Control - MIDI (4-part multitimbral) IN/OUT/THRU
  • Date Produced - 2004
  • Resources & Credits
  • Images from Alesis.

    Additional info provided by Adam Lundberg.

    Reviewed December 2007.

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