Arturia Minimoog V

 Arturia Minimoog V Image

The Minimoog V is everything the original could have been and more, at a fraction of the price! The Minimoog V looks like the original Minimoog, and yes, it sounds like it too - minus the noise, instability and other problems associated with analog circuitry. Some may say that is the very character desired in analog synthesizers, but you just can't knock a totally pristine and clean Moog sound that's equally as fat as the original all the way up to 96kHz and 24-bit digital quality in STEREO! The Minimoog V is a software instrument for Mac and PC compatible with all standard formats (VST, DXi, Audio Units, MAS, RTAS, HTDM, and more).

Upon first impression, the Minimoog V is big! It takes up a lot of screen space, but since it is an almost exact replica of the Minimoog, you'll appreciate the size once you start twisting knobs and editing sounds. The original Minimoog was a monophonic synth with three oscillators. This version also has three oscillators but is polyphonic! You can choose from 1 through 8 and 16 or 32 voices of polyphony for each sound patch. That alone takes the famous Minimoog sound into territories the original never could go! And speaking of sound patches, the original had no memory, but there's virtually unlimited patch memory here, and the Minimoog V ships with over 400 programmed patches, many by famous artists! Patches include: Basses, Arpeggios, EFX, Keyboards, Leads, Pads, Percussion, Horns, Synths, and Template patches. The Templates are a great starting point for creating your own Leads, Pads, Basses, etc.

 Arturia Minimoog V Image

The front panel controls replicate the look and layout (and underlying synth architecture) of the original. There are three oscillators, each with selectable Triangular, Sawtooth, Square, Saw/Triangular, Wide Rectangular and Narrow Rectangular waveforms. Oscillator 1 has an Osc Sync switch, while Oscillators 2 and 3 have fine tune knobs. The Mixer section has On/Off switches and Level knobs for each of the three oscillators as well as the Noise Generator (white or pink) and External Stereo Audio Input.

Next stop for after the Mixer section is the famous Moog 24dB/oct lowpass filter, replicated here by Arturia to perfection! The same 6 knobs as the original: Cutoff, Emphasis (resonance), Amount, Attack time, Decay time, and Sustain time. The VCA section has the same Attack, Decay, Sustain control knobs as the original too. And like the original, that's about it for front-panel controls and functions, aside from a few other tuning and volume controls, including the built-in A-440 tone generator for 'tuning up' the Mini.

But the Minimoog V goes well beyond the capabilities of the original with more than just stereo and polyphonic capabilities and program memory. One of the cool features of the original Mini was that the front panel could be lifted up to be more perpendicular to the keyboard for easier use while playing and editing. Clicking on the Minimoog V's panel will cause it to lift up a bit too, revealing a whole new world of features the Minimoog never had, but should have: an LFO, Arpeggiator, Chorus and Delay effects, and a Modulation Matrix!

The LFO offers sine, saw up, saw down, square, noise, random, sample-and-hold modes with rate control and MIDI sync switch. The Arpeggiator has Up, Down, Random, Backwards, and Notes Played patterns adjustable over 1 to 5 octaves and 1 to 5 repeats as well as Chord Memory, adjustable Speed and MIDI sync. The Chorus offers three types with Rate, Depth and Wet/Dry controls. The Delay has independent left/right controls for both Decay Time and Feedback Amounts with MIDI sync for surprisingly animated delay effects within the stereo field. The Modulation Matrix is simple and powerful: it lets you assign 6 sources to 6 destinations, ie: assign the LFO to the VCF cutoff, or assign the Pitch Wheel to control the pitch of just Oscillator 1.

Finally, although most users will play the Minimoog V using a MIDI keyboard/controller, the virtual built-in keyboard replicates the original's 44-note keyboard with Pitch Wheel, Mod wheel, Glide, Legato, and Pitch Bend range controls. It adds stereo Send outputs too.

At just $249, the cost of the Minimoog V is much cheaper than an original almost 30 year old Minimoog as well as the newer Minimoog Voyager. On top of that, the features offered in the Minimoog V don't just replicate the original, but go way beyond it! It's hard to imagine how we used the old Minimoog when you see, and hear what Arturia has done with it!

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34 Visitor comments
guest
October 7, 2010 @ 3:10 pm
Having hands-on approach to the both, I regret to say that Arturia MinimoogV hasn't much to do with the original, which I own and use for 30 years, although I wish it had. Oscillator and filter modulation don't sound even close to what they are on the model D, feed-back loops from low output to the external audio in as well. Oh, yes the skins are alike, and late Bob Moog's signature is there. RIP
hshs
September 10, 2010 @ 7:20 pm
another fake sounding, overhyped arturia virtual synth that sounds nothing like the original. Check the soundonsound review. It sounds nothing like the original.
Arturia is nothing but a savvy marketing company more preoccupied with hiring famous artists to peddle their programs than with programming real virtual synths.
All of Arturia's virtual synths are crap when it comes to emulating the real thing. Most of them sound thin and digital. Arturia have been caught recycling the same flawed oscillator and filter programming code for most of its synths, which is why all of them sound fake, and similar.
Read the soundonsound reviews for the ARP 2600, CS80V, and Minimoog V.
Arturia's "virtual' synths are nothing but a marketing scam.

http://www.soundonsound.com/sos/jun05/articles/arturia2 600.htm
http://www.soundonsound.com/sos/apr05/articles/arturi acs80v.htm
http://www.soundonsound.com/sos/mar05/articles/art uriaminimoog.htm
SJD
August 24, 2010 @ 3:42 pm
Amazing!
Well worth the money.
Not too heavy on CPU load either.
Use it all the time.
Try using it in polyphonic mode for great pads.
Probably more accurate to say it doesn't sound digital than it sounds analog.
Recommended.
JJ Jetflow
August 14, 2010 @ 3:49 pm
I think the Arturia VST does an exceptional job of "recreating" the essence of the Mini Moog. No one ever claimed a VST could replace the real thing. I do not know where these people get this idea. There are differences, but they are so subtle when mixed with even one more instrument, it is indistingiushable from the real thing. I have had more than these so called "experts" jaws drop to the floor are revealing the music they just heard was not on vintage gear but all VSTs.
BeltStar
July 31, 2010 @ 12:07 pm
Sounding average to poor like most softwaresynths,they al have that dull and boring sound,this one too,weak sounding synth,very average sounding,do you really think some computer"software"can do a good and right emulation of one of the greatest hardware synthesizer ever made??
 
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  • Check Price
  • The link above will take you to an eBay search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Demos & Media
  • YouTube Thumbnail
    minimoog V
    by Arturiaweb

    Demos - Visit Arturia's website to download a free demo and try it out for yourself!

  • Specifications
  • Polyphony - Mono / polyphonic (up to 32 voices per instrument with unison possibilities)
  • Oscillators - 3 voltage-controlled oscillators (with 5 waveforms: Triangular, Sawtooth, Square, Wide Rectangular, Narrow Rectangular) + 1 noise generator (white or pink)
    1 external audio input, 1 external oscillator and filter modulation input
    1 Mixer section with Level and On/Off controls for all 5 sound sources.
    No aliasing from 0.1 Hz to 20 kHz, 64-bit floating point precision, Sampling rate: up to 96 kHz
  • Modulation - 1 LFO (sine, saw up, saw down, square, noise, random, sample-and-hold) with rate and MIDI Sync controls.
    1 modulation matrix offering up to 6 different connections (12 source options, 32 destinations)
  • Filter - 24 dB/oct lowpass filter with Cutoff, Emphasis, Amount as well as Attack, Decay, Sustain Envelope controls.
  • VCA/Envelopes - 1 VCA with Attack, Decay, Sustain Envelope controls
  • Arpeg/Seq - 1 arpeggiator - Patterns: UP, DOWN, RANDOM, BACKWARDS, NOTES PLAYED. Octave Range: 1 to 5. Repeats: 1 to 5. MIDI Sync On/Off switch, Chord Memory function, and adjustable Speed control.
  • Keyboard - 44-key virtual keyboard - Playable via any MIDI keyboard
  • Effects - 1 stereo delay with Delay Time, Feedback Amount, Wet/Dry and MIDI Sync control.
    1 three-mode chorus with rate, depth and wet/dry controls.
  • Memory - More than 500 presets, made by talented sound designers and artists (Basses, Arpeggios, EFX, Keyboards, Leads, Pads, Percussion, Horns, Synthesizers, and Templates).
  • Interfaces - Runs stand-alone with ASIO, DirectX, Sound Manager and Core Audio, or as a plug-in using VST-2.0, Audio Units, RTAS, HTDM, MAS, and DXi.
  • Macintosh - G3 500 MHz, 128 MB of RAM, MacOS 9.2.2 or higher, Mac OS X 10.2 or higher
  • Windows/PC - Pentium II 500 MHz, 128 MB of RAM, Windows 9x/2000/ME/XP
  • Date Produced - 2004
  • Resources & Credits
  • Images from Arturia.

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