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![]() ![]() The Synthi A (pictured above) and AKS (below) are exactly the same as the VCS3 except that they are housed in a thin plastic briefcase for enhanced portability, with a small touchpad keyboard (activated by the 50 Hz-hum in our fingers). The Synthi A was also known as the "Portabella". The AKS model adds a 256 step on-board monophonic digital sequencer and a 30-note touchplate keyboard. It has three oscillators, and a unique patch system. Instead of patch wires, the VCS3 uses a patchbay grid in which the synth components are laid out, and signal routing is accomplished by placing small pins into the appropriate slots. The VCS3 was, in actuality, a modular type synthesizer reduced down to an extremely portable size. ![]() It generates familiar sci-fi sounds (Dr. Who) and other truly analog sounds. After ten minutes of warming up the oscillators become pretty stable. There's a Noise Generator, 2 Input Amplifiers, 1 Ring Modulator, 1 Voltage Controlled Low Pass Filter (VCF), 1 Trapezoid Envelope Generator, Joy-Stick Controller, Voltage Controlled Spring Reverb unit and 2 Stereo Output Amplifiers. What is important about the portable line of EMS synths is that they were super miniaturized and fairly sophisticated for their time. The patching grid system made patching easier, and allowed the unit to take up a lot less space. Both were released in 1971, two years after the launch of the VCS3. It should be noted that the case mounting of the AKS can be very precarious. The mounting is prone to fail, and therefore any used units should be examined carefully to see if this common problem exists before buying. ![]() EMS also produced the Synthi 100 (pictured above) in 1974. It is loosely based on three VCS3 systems combined into one major synth. Although the circuit boards are unique and quite different, the filters are quite similar in response to those of the VCS-3 and AKS. The sound of the Synthi-100 was subtly distinct from the VCS-3. Both filters and oscillators were much more stable in the Synthi-100. It featured twelve VCOs, two keyboards and a 3-track 256-step monophonic digital sequencer. EMS really was an early pioneer in digital sequencers when such devices as the Moog 10 step sequencer were still popular. It also featured two massive 64 x 64 patch matrices. Approximately 29 of these were built in the 1970s and early 80s, although EMS still states that you can have one as a special order. It sold for $25,000 originally, and probably still does today. Jack Dangers of Meat Beat Manifesto is said to have the only fully working unit in existence, which he used heavily on his album, "R.U.O.K?". ![]() The Synthi E is an educational form of the Synthi that had a complete teaching course built around it for use in colleges and schools. It was intended as a teaching aid into the principles of sound synthesis and electronic music. Small, housed in a brief-case and battery powered, the Synthi E was perfect for the student or teacher on the go! Simple as it may appear, it actually has some sophistiated features:
Many of these EMS synth's have been used by Brian Eno, Pink Floyd, Stereolab, Yes, Aphex Twin, Autechre, Jean-Michel Jarre, Astral Projection, Vince Clarke, The Who, Todd Rundgren, Recoil, Freddy Fresh, Ultravox and many more. Home | Synth Forums | Synth Classifieds | Synth Finder | TimeLine | Archives | Links | VSE Store Presented by the Vintage Synth Explorer. Copyright © 1997-, all rights reserved. All photographs, sounds, patches, registered trademarks and logos are property of their respective owners. E-mail Webmaster | Privacy Statement |
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