Moog • Polymoog

Moog Polymoog Image

(click to enlarge)

The Polymoog is a preset-based and fully polyphonic synthesizer released in 1975. The eight preset sounds consist of strings, piano, organ, harpsichord, funk, clavi, vibes, and brass. Though it may not sound as good as other analog poly-synths of the time (from ARP and Siel) the Polymoog was still a popular instrument because of a great new keyboard and the ability to edit the presets into unique and wild analog sounds. There's a genuine Moog filter in there with modulation, keyboard tracking and lots of LFO modulation sources. The full sized 71-note touch-sensitive keyboard can be split into three sections, each with independent volume sliders. There is a 3-band EQ, sample-and-hold, and a full set of envelope controls. What you won't find, however, is patch memory--well, there's one programmable preset, but there's certainly no MIDI control!

Moog Polymoog Keyboard

Following the Polymoog synthesizer came the Polymoog Keyboard (pictured just above) released around 1978. The Keyboard model was simplified and cheaper in hopes to stimulate sales. It had more preset sounds (fourteen of them) but Moog had eliminated most of the editing functions that made the original version so great. The Keyboard model's 6 new preset sounds included Vox Humana, Strings 2, Electric and Honky Tonk pianos, Chorus Brass and a Rock Organ. So it's got some more presets, but programming is so limited you're pretty much stuck with the presets. Editing is reduced to volume, tuning, hi-pass filtering, and basic LFO features. The Keyboard model can be recognized by the name 'Polymoog Keyboard' printed where sliders and knobs used to exist on the original model.

Moog Polymoog Pedal

An optional Polypedal board (pictured above) allows for external control of the pitch, filter, sustain and external sync of the Polymoog. It should be noted that the Polymoog and Polymoog Keyboard are not true polysynths, but that they use a similar 'divide-down' circuitry arrangement like certain string synths, combo organs, etc. This causes some of the sonic shortcomings of this unit. Also, the Polymoog is rather unreliable and prone to breakdown; used specimens are often found with problems w/o servicing prior to resale. Polymoog's have been used by Chick Corea, Blondie, Keith Emerson, Devo, Gary Numan, Prince, Richard Tandy of ELO, Patrick Moraz, Rush, Larry Fast, Wendy Carlos, Tony Banks, Kraftwerk, Geoff Downes, Jimmy Edgar, Freddy Fresh, and Rick Wakeman of Yes.


VISITOR COMMENTS

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Balzak
Posted 118 days ago
I think the cs 80 can emulate it verry close
Jareth
Posted 149 days ago
Well, I just restored my 280a and have to say that it is a even better machine now! Has very powerful strings and a interesting tone. There is no other keyboard like it.
Franco Ferrer
Posted 199 days ago
Proto-Techno-Punk band Ganymed (in particular: Edmund Gerhard Czerwenka, Daniel Prencipe and Rudolf Mille) used it on all three of their albums
Jareth Lackey
Posted 202 days ago
I just got a Polymoog 280a and love it! It has got such a warm sound and lets not forget the Vox Humana preset. that Gary Numan made famous. These machines are not as bad as people say. I have found that most of the problems can be solved by re soldering all the joints. Sometimes you will find one that is dead beyond repair and is only good for parts.
Chris
Posted 205 days ago
This is the synthesiser that defined Gary Numan's sound on his first three albums. I'm pretty sure I'll never be able to afford a Polymoog, so I've tried to get the same stringy sounds from other synths, and have only come close using a Roland Jupiter 4. Adding a fair bit of the built in chorus to a JP4 string sound helps, although a flanger gets the sound even closer.
 

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