Moog • Rogue

Moog Rogue Image

The Moog Rogue could be the very definition of cheap Moog bass. It's a two-oscillator analog monosynth from Moog that, while having genuine and highly desirable Moog componentry, its design cut many corners to make this Moog's most compact and inexpensive offering of its time. In fact, the design was so simplified and streamlined that Moog licensed the design to Tandy/Radioshack who built the identical Realistic Concertmate MG-1, which was even cheaper! Incidentally the Rogue is also utilized as the Moog Taurus II Bass Synth with 1-1/2 octave bass pedals instead of the Rogue's 2-1/2 octave keyboard.

The Rogue could be considered a very scaled down version of the Prodigy (which was itself a very scaled down Minimoog) offering far fewer synthesis options and flexibility. Only two waveforms per oscillator (saw and square/rectangle) and, unlike the Prodigy, the oscillators must play the exact same waveform and pitch range, for a much more limited sonic range of synth tones. You cannot mix Sawtooth with Square/Rectangle waves on the Rogue, whereas you can on the Prodigy and Liberation. Another cutback is the single envelope generator that is shared by both the Filter and the Loudness Amp, offering just Attack, Release and a switchable Sustain mode (OFF, HALF, FULL). Still, the Rogue has a decent Moog filter with an external audio input.

Moog was definitely cutting costs with this model, making it the smallest, simplest and most basic synth in their line-up; yet still versatile and user-friendly enough to be used as the Taurus II Bass Pedal synth and an entry-level electronic tinkering Radioshack junkies music machine. To this day, the Rogue is still an inexpensive place to get good Moog sounds! It is used by Peter Gabriel, Add N To (X), 808 State, Stereolab, Mr. Oizo and KMFDM.


VISITOR COMMENTS

Comments page 1 of 2
Click here to add a comment
Aux
Posted 303 days ago
I love the Rogue and I use it a lot in my daily work as commercial composer: great bass- and leadsounds, but it is also quit easy to create drum- and percussion sounds.
c g gross
Posted 351 days ago
I agree that price and sound aren't always connected. I just came across the receipt for my Rogue (purchased in '85)-- $104.94 including sales tax ain't so bad for a versatile synth that was my main axe for a long time. I don't use it as much now that I'm using software synths more often, but the Rogue still sounds great and I still enjoy playing it.
cw murdock
Posted 363 days ago
the "Concertmate" MG1 had this extra chanel called "polyphony" that makes a super cheesy organ sound that only stereolab are allowed to make sound awesome. with a cv gate interface you can get more bottom octaves and you can make this baby, or the MG1, self oscillate and get serious "brown note" bass tones.
Len
Posted 403 days ago
I love this site! But I can't help but feel this review is being a little bit too elitist about synths in general and Moogs in particular. Inexpensive doesn't mean "bad sounding." Consumer or prosumer doesn't mean "bad sounding" either. While this ain't no Minimoog, it's got that unmistakable Moog tone and filtering that is sought after. I'm glad Moog made a synth for the masses in the form of a Radio Shack cheapie. Power to the people! I'm sure Peter Gabriel, Stereolab and KMFDM don't feel threatened...
 

infoRatings


Demos & Media


Specifications




Resources