Moog Rogue

Moog Rogue Image

The Moog Rogue could be the very definition of cheap Moog bass. It's a two-oscillator analog monosynth from Moog that, while having genuine and highly desirable Moog componentry, its design cut many corners to make this Moog's most compact and inexpensive offering of its time. In fact, the design was so simplified and streamlined that Moog licensed the design to Tandy/Radioshack who built the nearly identical Realistic Concertmate MG-1, which actually offers more features for less bucks! Incidentally the Rogue is also utilized as the Moog Taurus II Bass Synth with 1-1/2 octave bass pedals instead of the Rogue's 2-1/2 octave keyboard.

The Rogue could be considered a very scaled down version of the Prodigy (which was itself a very scaled down Minimoog) offering far fewer synthesis options and flexibility. Only two waveforms per oscillator (saw and square/rectangle) and, unlike the Prodigy, the oscillators must play the exact same waveform and pitch range, for a much more limited sonic range of synth tones. You cannot mix Sawtooth with Square/Rectangle waves on the Rogue, whereas you can on the Prodigy and Liberation. Another cutback is the single envelope generator that is shared by both the Filter and the Loudness Amp, offering just Attack, Release and a switchable Sustain mode (OFF, HALF, FULL). Still, the Rogue has a decent Moog filter with an external audio input.

Moog was definitely cutting costs with this model, making it the smallest, simplest and most basic synth in their line-up; yet still versatile and user-friendly enough to be used as the Taurus II Bass Pedal synth and an entry-level electronic tinkering Radioshack junkies music machine. To this day, the Rogue is still an inexpensive place to get good Moog sounds! It is used by Peter Gabriel, Add N To (X), 808 State, Stereolab, Mr. Oizo and KMFDM.

Here is a table highlighting some of the differences pointed out by a user between the MG-1 and Rogue.

Realistic Concertmate MG-1 Moog Rogue
Sliders for modulation Switches for modulation
Divide-down polyphonic organ --
No Pitch/MOD wheels Independant Pitch/MOD wheels
Keyboard tracking switches Keyboard tracking knob
Independent waveform selection and pitch --
Ring modulator effect --
Osc sync on/off Osc sync contour
Keyboard response is slower --

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41 Visitor comments
Mark McCluney
September 20, 2012 @ 9:09 am
i had a moog rogue for years and made a lot of groovy bass with it using a home made sequencer. those with plenty of readies will always under-rate it but this was a very reliable little instrument and lotsa fun.
Joshua
September 12, 2012 @ 3:13 am
The Moog Rouge is also used by the front man of the band Farflung...it does some great space-ship sounding stuff with the filter res and modulation etc etc...as for the more,"Musical," sounds of the thing,they are also very nice.
Richard
March 9, 2012 @ 7:56 am
To date my only Moog, and still a sweet little lead or bass synth on which you can do not a lot else than tweak some and then play, play, play. There should be more like these. Sure there's a time and place for complex modulation, one more VCO and tons of other great stuff the Rogue can only dream of, but at the end of the day it's inspiration that counts, and the Rogue can certainly bring that - as much due to its limitations as in spite of them. Overdrive, auto triggering of the LFO and sync are all great. The pitch wheel didn't calibrate to a semi-tone on mine. Overall: always a sweet buy.
shawn
January 20, 2012 @ 2:52 am
dp - just watched the demo you posted. you got SO MUCH out of the rogue. fantastic demo.
DP
January 19, 2012 @ 3:27 pm
This is my Rogue, hope you'll enjoy it: http://youtu.be/Je-MeTy7hS0
 
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Rated 4.04 (479 Votes)

  • Check Price
  • The link above will take you to an eBay search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - Monophonic
  • Oscillators - 2 VCOs:
    OSC 1: Pitch: 32', 16', 8'; Wave: Sawtooth, Rectangle.
    OSC 2: Pitch: 32', 16', 8'; Wave: Sawtooth, Square.
  • Memory - None
  • Filter - 1 24dB/oct lowpass w/ cutoff, emphasis, env amount
  • VCA - Attack, Release
  • Keyboard - 32 keys
  • Arpeg/Seq - NO
  • Control - CV / GATE (V-trig in, S-trig out)
  • Date Produced - 1981
  • Resources & Credits
  • Images from Perfect Circuit Audio.

    Thanks to Pete Moulton and Eric White for providing information.

    Updated June, 2008.

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