Moog Source

Moog Source Image

Moog's Source was their first to offer patch memory storage as well as some other new features. It boasted 16 memory locations so you could finally save and recall your synth patches. A casette-tape jack was also implemented to transfer your patches to and from an external tape and free up the on-board memory for additional new patches. But in an effort to modernize with the eighties, the Moog had replaced all buttons, knobs and sliders with flat-panel membrane buttons and a single data-wheel assignment format. At the time, this may have seemed far-out, but in all actuality it is the Source's downfall.

Moog Source Image

Parameters are edited not with hands-on sliders and knobs but by assigning a selected parameter to the dedicated data wheel. This is very tedious and does not allow for true hands-on tweaking during performances nor can you adjust different parameters simultaneously or while playing. These days, the membrane buttons don't always seem to work quite right either. However, those famous monophonic Moog sounds are still inside this synth which has two fat analog oscillators and the legendary 24 dB Moog filter.

Moog Source Image

The Source has been used by Tangerine Dream, Jan Hammer, Depeche Mode, Devo, Vince Clarke, New Order, Ultravox, Josh Wink, Front Line Assembly, Moog Cookbook, Kitaro, Imperial Drag, The Cars, Phish, The Rentals, King Crimson, Blur, and Gary Numan.

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42 Visitor comments
Fritz
August 18, 2008 @ 11:28 pm
The sequencer and arpegiator are very fun to use. You can store two sequences on the memory and then playback and transpose them, the sequences can store patch changes.
JamesJames
August 16, 2008 @ 10:55 am
To be fair, the data wheel is weighted, so you can spin it and it will keep going for quite a while. This can be used to create a few pretty funky real-time sounds (when using it on the resonance or hi/lo pass filters, for example). Now, if you want really inconvenient real-time adjustments, the Casio CZ-1 digital synth has a similar "adjust-one-paramater-at-a-time" design, but instead of a weighted data wheel, all you get is an "up" and a "down" cursor (8-stage envelope programming for amp and filter, but utterly painful to use).
 
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  • Check Price
  • The link above will take you to an eBay search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - Monophonic
  • Oscillators - 2 VCO's + Noise Gen. with ramp, triangle, variable width pulse waveforms
  • Memory - 16 patches (plus casette-tape save/load)
  • Filter - cutoff, res, ADSR env
  • LFO - square or triangle
  • Keyboard - 37 keys
  • Arpeg/Seq - YES
  • Control - CV /GATE
  • Date Produced - 1981
  • Resources & Credits
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