Novation Nova

Novation Nova Image

Novation has basically re-packaged the SuperNova into a desktop performance module and dubbed it the Nova. It uses analog Sound Modeling (ASM) to create stunningly clean but analog-like sounds. "3 completely independent oscillators, a variable noise source and 2 ring modulators per voice. This combined with the Nova's 12 voice polyphony means that there are 36 Oscillators, 24 Ring Modulators and 12 Noise sources available at once. All these waveforms can be combined in the Mixer section allowing the creation of very fat and complex timbres." There's also over 130 modulation routings. There are two inputs for filtering external sounds, a 40 band vocoder and 42 simultaneous effects including Distortion, Comb Filter, Chorus, Phaser, Flanger, Delay, Reverb, Panning, Tremolo and EQ.

As a performance module the Nova could not be anymore hands-on nor rhythmically programmable with 20 knobs and 90 switches! "The Arpeggiator is more like a Real Time Music Processor with 384 monophonic, polyphonic and user patterns available. Sounds can be layered in Performances allowing Arpeggiated and sustained sounds to be played at the same time." There are up to 6 arpeggiators! Of course everything about the Nova is MIDI controllable making the Nova an ideal super polyphonic synthesizer for professional musicians in the studio, on the road or in the bedroom!

Novation Nova Image

Pictured above is the Nova II. It features roughly 21 knobs, 4 sliders, 128 switches and comes in 49 or 61 note keyboards! Of course it features some major improvements including doubled 24 voice polyphony (expandable to 36 and 48) and simply offers you an affordable alternative to the Supernova keyboard without compromising anything in terms of performance controls, features and sounds!

Update: With the release of OS version 4.1, the base polyphony was raised to 16 voices, Novation added the DoubleSaw waveform (with phasing, detuning, and unison), nine new special filter types, adjustable unison, and a knob pass-through option.

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44 Visitor comments
BJaguar
April 9, 2009 @ 1:10 pm
Takes a bit of time to learn where all submenus are hiding, but worth it. Really excellent, professional sound quality. Superb DA converters. There are a lot of VA's out there that don't sound this smooth or pure, but it can do gritty and aggressive, too. Filters are great. Only wish it had more poly and more waveforms. Really hard to beat in hardware, true VA synths - as opposed to VA'S that go way beyond true VA emulation. The vocoder is definitely the easiest and best I have used to date. Finding the sweet spot is a lot easier than on many others because of knobs. Packs a huge punch for a little box. Very well built as well. This is a true VA emulator, though. As such, it's sound range is limited compared to the more modern Viruses, Nords and Waldorfs, which have all gone way beyond true VA. But, what it does, it does really, really well.
ndrew
December 16, 2008 @ 6:33 pm
Best Vocoder in a VA on the planet... Ticon uses it exclusively as their on-stage vocoder.
John Location
August 27, 2008 @ 5:58 pm
I have one - used it live a couple of times. Its truly a great machine. But it never fitted into my setup though and is still placed in my attic somewhere. Too bad actually. Today I use a simple live-setup with Roland Fantom and at home I use Reason 4, which leaves no room for the Nova...
Neva
August 20, 2008 @ 10:09 am
you can get one used for 300 euro.. a really nice VA Synth, i can't imagine my studio set up without it. Study chassis, nice color, nice display, nice buttons, nice futures, really a good machine!! such more better and professional than new stuff around same price..
 
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  • Check Prices on eBay
  • The link above will take you to a search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - 12 voices (expandable to 24, 36 and 48)
  • Oscillators - 3 osc per voice (saw and variable pulse width) plus noise
  • LFO - 2 LFOs: saw, tri square sample/hold
  • Filter - Resonant Low-pass, Hi-pass, band-pass; 12, 18 and 24 dB/Oct slopes and overdrive
  • Envelopes - 1 ADSR for the amp, 2 DADSRs
  • Effects - Distortion, comb filtering, EQ, reverb, chorus, flange, phaser, delay, panning, 40-band vocoder
  • Keyboard - Keyboard model: 49 or 61 notes
  • Memory - 256 programs, 128 performances
  • Control - MIDI (6 parts)
  • Date Produced - 1999

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