Oberheim DSX

Oberheim DSX Image

In the early 1980's Oberheim unveiled a new (pre-MIDI) proprietary system called the Oberheim Parallel Buss. This was a system in which several newly released pieces of Oberheim gear could be easily connected and synchronized. These included the lush OB-8 eight voice synth, the DMX drum machine, and the DSX Digital Polyphonic Sequencer. The DSX can interface directly with other Oberheim synths as well, including the OB-Xa, OB-SX, and OB-X. The DSX can synchronize to the DMX, or it can control the OB-synths. In addition to controlling these synths, the DSX features 8 CV and Gate outputs to control up to 8 more other analog synthesizers!

Oberheim DSX Image

For an analog synth player, the DSX adds an incredible amount of sequencing power never really seen on other analog synths' built-in sequencers of the time. The DSX records in realtime the notes and patch changes you create while playing your OB-synth. It can hold up to 6,000 notes! The DSX can store up to 10 different sequences/songs. Each sequence can have 10 polyphonic tracks for multiple OB-synths and DMXs. Patch info including splits and doubles can be stored too. Quantizing, looping, editing, transposing, and sequence merging are a few more features. If you've got any of these classic (pre-MIDI) Oberheim analog OB-synths lying around, the DSX is an easy way to directly control them in a classic way, and without any need for MIDI retro-fits or interfaces.

8 Visitor comments
Dj Pound
November 21, 2009 @ 1:10 am
David Frank from the System also used this with an Ob-Xa and a DMX for most of his early/mid 80's productions for people like Howard Johnson, Phil collins, Scritti politti, Chaka Khan etc.....
Micke
November 6, 2008 @ 1:08 pm
According to the owners manual, the DSX started shipping in Oct 1981 (one month before the DMX).
tomislav babic
August 17, 2008 @ 9:27 pm
Beautiul example of prominent use of DSX, as a part of a Oberheim system with DMX and OB-XA, is on two Mike Odlfield albums: "Crises" (1983) and "Discovery" (1984).

Its main drawbacks are that it requires either a OB-X/OB-XA or OB-8 keyboard to input notes, and its limited to real-time recording, there's no step input.
 
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  • Demos & Media
  • Manual - Download the original owner's manual from SoundProgramming.net.

  • Specifications
  • Polyphony - 10 polyphonic tracks per sequence
  • Sounds - None
  • Effects - None
  • Sequencer - 6,000 Note Capacity. 10 polyphonic tracks per sequence/song
  • Songs - 10 Sequences/Songs
  • VCA - None
  • Keyboard - None
  • Control - Oberheim Parallel Buss; 8 CV/Gate INs/OUTs
  • Date Produced - 1981

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