Oberheim • Matrix 12
Oberheim's Matrix 12 is a legendary analog synthesizer from the mid-eighties that is still the king of analog sounds. One of the fattest, roundest, pleasantly analog synthesizers around! It's long been known for creating some of the thickest and best analog pads, sweeps, buzzes, basses and textures. It features Matrix Modulation for extremely wild virtual patching for almost unlimited range of sounds and modulation capabilities!
The Matrix 12 is similar to the Xpander and the lighter Matrix 6. But the Matrix 12 is much fatter and more programmable than either. Every control can have an effect on some other parameter thanks to Oberheim's flexible design. For example, there are 15 types of LFOs and VCAs per voice! And there's plenty of diagrams drawn out on the front panel of the synth to help you figure out some signal routing. This is not a synth for the beginner. It is used by The Orb, Gravity Kills, Vangelis, Technotronic, and Depeche Mode.
To GV: Tend to agree, especially when you compare the M12 to the old SEM based synths. Nevertheless, from a modulation point of view, it is amazing.
The M12 is a prime example of a huge, overpriced instrument that doesn't cut the musterd when it comes to good sounds.
Any VA synth will sound better. People are mostly blinded by its specs and looks. The fact that it was made in 1984 and had wooden side panels also unjustly gives it its overrated status. Realistically this machine sounds thin, too digital and has lazy envelopes. One has to asked themselves, do I want to spend that sort of money and become best friends with the only synth repair guy in the country that can service it, who will probably advice you to refrain from purchasing it in the first place.