The OB-Xa is a massive analog synthesizer with a very familiar and classic Oberheim sound. Its sound, size and power are very similar to the Prophet 5 from Sequential. However this one has up to 8 voices which can be split, layered and stored!

The OB-Xa was available in four, six or eight voice polyphonic models. They all featured patch memories, also in varying degrees. A minimum of 32 patches were available on early models (4 banks of 8). The maximum amount of patch memory storage found on many OB-Xa's is 120 patch memories. All models of OB-Xa, however, featured the new Curtis chips which offered great stability for an analog synth and they are attributed to its great filters and sounds.

The OB-X was very similar to the OB-Xa except that its voices could not be split or layered and, more significantly, the OB-X had a lowpass-only discrete SEM 12dB/oct state variable filter, which had a great and classic Oberheim sound. The OB-Xa changed that in an attempt to economize manufacturing and increase stability by switching to CEM3320 Curtis chips for its filters. The Xa offered two switchable filter modes: 12 dB/oct (2-pole) or 24 dB/oct (4-pole). This hardware change resulted in a more agressive sound, not quite as creamy as the OBX original, but what still became a "bread and butter" sound of the Oberheim line.

Splitting the keyboard mode separates the OB-Xa into two 4-voice synths with two available patches. The Layer mode plays the two patches simultaneously. There are also some added effect sources, perfect for any analog polysynth, including portamento, unison, sample & hold, chord memory and three LFO's!

However none of the original OB-Xa's have MIDI, unless otherwise having been modified. The OB-Xa is a classic and fat analog machine. It will give you thick analog pads and drones, punchy bass and cyclic analog effects. It's been used in the past by Depeche Mode, Van Halen (Jump!), Gary Numan, Jean Michel Jarre, New Order, Paul Sheafer, Prince, Queen, Jethro Tull, Stevie Nicks, Sneaker Pimps, Rush, Mike Oldfield, Richard Barbieri, the Thompson Twins and Bon Jovi.

Kit

January 4, 2009 @ 12:55 am

Bought one of these in 1988 for £120.00!!!! (also an OBx for same price) sold both shortly afterwards for a nice profit but always regretted it, could not afford one now. Great synth, good looks, fat sounds, and feels just wonderful to play. really really miss them. Same with a Korg Mono/Poly, which i sold for £30 to get a DX21 of all things, I still have the DX21 which i doubt if i could give away.

Solstice

December 15, 2008 @ 6:31 pm

Also used by Paul Mazzolini (Gazebo, Ryan Paris...)
http://www.gazebo.info

Solstice

December 4, 2008 @ 5:40 am

Also used by the french singer and composer Daniel BALAVOINE.

Kiernan

November 14, 2008 @ 5:38 pm

At the time, my brother, who got to use one in college for a sound synthesis course he was taking, referred to this as the "Oberheim Zaw".. Something about that name just stuck in my head.. Another company that stuck in my head was Sequential.. Anyhow.. The Oberheims analog synths were what made Styx' s "Grand Illusion" stick out.

Seth C Triggs

November 9, 2008 @ 8:22 pm

I saw this one used by Paul Griffin with Grover Washington Jr., so I'm pretty sure it must've been used in a lot of his studio albums. This is a massive synth and the sounds were great. I know that there was a sort of chime effect used and a steel drum sound, can't place the chirpy effect though. But it was definitely a fat, chirpy effect.

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