Roland D-10 / D-110

Roland D-10 Image

Second generation D-50 style synthesis. The D-10 is a Digital Linear Arithmetic Synthesizer and the D-110 is its upgraded rackmount version. Capable of decent acoustic sounds and great new synth-type sounds the D-10/110 is a great and cheaper alternative to the popular D-50. It has a confusing synthesis / editing method composed of tones, partials and timbres. Basically it all boils down to tricky programming which, if you know what your doing, can have interesting and unique results. On-board drum sounds, reverb effects and internal / external memory storage are also a plus.

Roland D-110 Image

The D-110 rackmount version adds 6 individual outputs, and the follow-up D-20 keyboard version adds an 8-track sequencer. Definitely worth a listen for any musician on a budget! It has been used by Suzanne Vega, Future Sound of London, and Information Society.

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104 Visitor comments
Casimir's Blake
February 23, 2012 @ 12:50 pm
Without wishing to start a "slanging match" Tim, I take issue with your offensive comment regarding programming. I've programmed many effective sounds with a Nova, KS, various Junos, and Waldorf's Q, Pulse and XT.

The simple fact of the matter is, the D-10 has an awkward interface that isn't fun to operate, quite opposed to being immediate, and hardly engages one's creativity in either a studio or live context.

An Alpha Juno has a solid, powerful sawtooth wave that can be easily shaped into tons of useable sounds. A D-10 requires MANY layered for a vaguely similar result. Why bother?
tim
February 22, 2012 @ 1:57 am
Yes the menu system [beep] s - but with midiquest or other software the editing is child's play.

I have NO issues of notes cutting off like you say, and I use this synth every day now with Ableton Live 8 and Cubase 5. I think maybe your software is set up wrong. In any case I'm sure your d-10 will find an appreciative home....
tim
February 22, 2012 @ 1:57 am
Why is a problem to layer partials? the d-10 has more than enough polyphony.

I have made thick bass sounds using 4 partials that work in a live situation - really fat.
same with pad sounds. maybe you need to learn to program better. i say that because no one that really knows how to work with synths would sell a d-10 for 30 pounds.
Casimir's Blake
February 18, 2012 @ 6:52 pm
(continuing)

The D-10 / D-110 supposedly has real analogue oscillators, using the "S" synth partials. Trouble is, you will need to layer a LOT of them to get anything vaguely beefy out of it. And the button presses required number in the hundreds.

Finally, the D-10 is not suitable as a master keyboard. On key release, it sends "wrong" note-off messages of some sort: playing VSTs e.g. Kontakt in a DAW results in regular cut-off notes. There might be workarounds though.

Oh and the buttons stop working.

If you're in the South UK you can seriously have mine for £30. I don't want it!
Casimir's Blake
February 18, 2012 @ 6:44 pm
I have one of these. I paid about £30 for it. Unless you want bread and butter sounds, that's about all it's worth. Factory sounds are are thoroughly early-90s digital tones that cannot match the relative thickness of a D-50.

It took me about half an hour to work out the menu system, it's somewhat convoluted but manageable. There are lots of parameters that one can edit, the 8-part multitimbral mode is as powerful in that regard as you can expect. The polyphony is such that those 8 parts could allow for large single sounds if one wanted.

A shame then, that it sounds so WEAK.
 
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  • The link above will take you to an eBay search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - 32 voices
  • Oscillators - Digital LAS (Linear Arithmetic Synthesis) & ROM Samples
  • Effects - 8 Effects
  • Multitimbral - 9 parts
  • Drums - 1 kit, 63 sounds
  • Memory - 128 internal & 128 external patches, 64 performances
  • Keyboard - 61 note with velocity sensitivity (D-10)
  • Control - MIDI
  • Date Produced - 1988
  • Resources & Credits
  • Images from Synthony and

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