Roland Gaia SH-01

Roland Gaia SH-01 Image

Following the SH-201, Roland continues its SH-series with the Gaia SH-01. The Gaia is an analog modeling synthesizer that retains the basic traits of previous SH-series synths: hands-on tweaking, user-friendly layout and compact design. You won't find any screens or menus on this synth—so if you're in the market for a hands-on, tactile synthesizer, the Roland Gaia SH-01 is not to be overlooked. There are 64 preset sound patches as well as 64 user patches—a huge improvement over the paltry 32 user patches in the SH-201. Weighing in at less than 10 pounds and able to run on battery power, the Gaia is a compact sound designing tool worthy of stage and studio.

The Gaia SH-01 features three oscillators, each with seven different waveforms (saw, square, pulse, triangle, sine, noise and super saw). Each of the seven waveforms have three variations, so it's almost like having 21 waveforms to choose from…per oscillator! Course tuning, fine tuning, oscillator sync and ring modulation controls, and a two-part (attack/decay) envelope generator complete the oscillator section. The filter section has all your basic controls (cutoff, resonance, a dedicated ADSR envelope generator) but also allows you to choose between low-pass, hi-pass, band-pass, or peaking filters. You can also bypass the filter entirely. The amp section controls the volume of the selected oscillator and has your standard ADSR envelope generator. The Gaia essentially offers three LFOs at your disposal (with controls for rate, tempo sync, delay time) that can be routed to any combination of the oscillator, filter or amp.

What makes the Gaia SH-01 stand out, is that although there is physically one oscillator, one filter, one amp and one LFO, you actually have three of each that are virtually layered over one another. In other words, this synth can sound huge! Many synthesizers have any number of oscillators that mix down before going to the filter and amp, but each Gaia oscillator has its own filter, amp and LFO, allowing for some very interesting patches. Furthermore, there is a dedicated master effects section featuring distortion, fuzz, bit crusher, flanger, phaser, pitch shifter, delay, panning delay, reverb and low boost. Each effect is highly tweak-able and really helps bring its sounds to life.

Of course, Roland has their "D-Beam" sensor for live performance fun (or just showing off to your friends). There is an onboard phrase recorder, arpeggiator, external audio input with various voice-canceling options, V-link support, 37-key keyboard with pitch/mod combo joystick, MIDI In/Out and USB connectivity to store patches to a thumb drive or use the bundled patch editor software. No MIDI-Thru may be an issue for some—the Gaia will need to be last in your daisy chain.

Roland Gaia SH-01 Image

The predecessor to the Gaia SH-01, the SH-201, notoriously felt cheaply made, particularly the keys and the plastic casing. The Gaia is still plastic, but the keys feel much better than the SH-201 and the Gaia feels less "hollow" and more robust than the SH-201.

For well under a thousand USD, you'd be challenged to find a better analog modeling hardware synthesizer. There is so much more to this synth than meets the eye. On top of the fact that you have three oscillator sections, filter sections, amp sections, and LFO sections that all mix down to the master effects section, there is a "Shift" button that allows you to adjust countless other parameters to further expand your synthesizing. Nearly every knob, button and fader has a second function via the "Shift" button. Roland could not fit all the "Shift" functions on the panel, but the manual contains a list of these parameters and they are logically laid out to help keep you planted in the groove of sonic exploration.

In summary, the Gaia SH-01 highly compliments the SH-series name and is more than worthy of carrying the name. Analog purists, forget about "analog vs. digital" and just give this synth a try, it's surprising how good analog modeling can sound when Roland does it right!

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69 Visitor comments
Theo Void
December 23, 2013 @ 9:32 am
This synth was seriously disappointing. After first seeing it I really wanted one and when I got it, I was very under-whelmed. The 1 for 1 controls are awesome but the important part, namely the sound, is complete garbage. It uses sampled waves and from the sound of it not very good ones. It sounds totally thin and cheesy. The arp is decent and the way you can stack osc's is pretty clever but none of that matters because it sounds terrible.
D-Beam is completely use-less. Not as awesome as it once appeared to be in this day and age. I sold it, and I lost $$.skip this one guys
carl winslow
December 20, 2013 @ 9:18 pm
PURE RUBBISH. It's a rehashed SH-32 with even less options. Not even hipster musician Grimes can make this thing sound interesting since all she uses are the presets while tweaking the filter. Funny how you can throw knob on nearly every parameter and a woman still won't have large enough attention span to sit down and read the manual. Too busy with their cellphones, I assume.
dreaminginthelotus
November 15, 2013 @ 2:13 pm
I use the GAIA as something cheap to tote around at various locations. You can cover most basic sounds with it. A little on the thin side. The overall construction is pretty cheap. The sounds are quite similar to the Roland SH-201, (just a cheapened version of the JP-8000). Most of it is light/plastic and feels like a toy. Keys are lightweight junk. For the prices you can find this thing used, it is a nice tool for portable music writing, I usually move to better synths though for final products. D-Beam (douche-beam) is for losers, seriously.
Klaus
September 23, 2013 @ 12:27 pm
I'm sure that the Gaia is a lot of stuff for the money. And of course there's good stuff in this synth too, like any other synth. The problem, it seems, is that they cheated with sampled supersaw and pwm. This upsets people with indeept understandment of synths. But for a beginner, it's surely a good synth to start. Lets just hope that Roland will get back to making upscale synths too.
Joe
September 20, 2013 @ 12:38 am
I think alot of the comments here maybe devaluating the GAIA in the aftermarket unnecessarily. It is not that bad of a synth, you can get some decent result by playing with the FX section. For example, proper use of onboard distortion types (using it subtlety) and volume out with pitch shift emulating chorus can quickly get you into Junoish territory. Combine that with the onboard delay and reverb, and think of the cpu usage this saves when you don't need to stack those FX in your DAW. Is it thin? perhaps yes. Can it be beefed? Yes, with proper programming running into any budget tube comp.
 
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  • Check Prices on eBay
  • The link above will take you to a search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - 64 voices
  • Multitimbral - 16 parts (1 VA, 15 PCM)
  • Oscillators - Virtual analog synthesizer sound generator, PCM sound generator
  • Waveforms - Saw, Square, Pulse/PWM, Triangle, Sine, Noise, Super Saw
  • LFO - Waves: Triangle, Sine, Saw, Square, Sample-Hold. Controls: Rate, Fade Time, Pitch Depth, Filter Depth, Amp Depth.
  • Modulation - Oscillator Sync, Ring Modulation
  • Filter - LPF, HPF, BPF, PKG (-12 dB/-24 dB), Cutoff, Resonance, Key Follow, Attack, Decay, Sustain, Release, Envelope Depth
  • Envelope - Amp: Attack, Decay, Sustain, Release
  • Effects - Distortion, Fuzz, Bit Crash, Flanger, Phaser, Pitch Shifter, Delay, Panning Delay, Reverb, Low Boost
  • Vocoder - None
  • Sequencer - Phrase Recorder: 8 patches, 1 track
  • Arpeggiator - 64 patterns
  • Keyboard - 37 keys (velocity sensitive)
  • Memory - 64 Preset, 64 User
  • Control - MIDI In/Out, USB 2.0
  • Controls - Pitch Bend/Modulation lever, D Beam Controller
  • Weight - 4.2 kg (9 lbs. 5 oz.)
  • Date Produced - 2010

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