Roland JD-800
The JD-800 is Roland's answer to half a decade of hard-to-program synthesizers. Covered in sliders that act as dedicated editors just like a classic analog synth, the JD-800 is an extremely programmable and hands-on digital synthesizer. It is also an interesting and great sounding digital synth with incredible flexibility and control. Internal ROM based waveforms are combined to build your sounds. The sounds are based on Roland's D-50, but updated for the nineties with multimode filters - uncommon but welcome at the time.
The JD-800 came in a tough metal case capped off on the sides with large plastic covers. Programming may be a little too flexible for some users, but once you know what you're doing with it, almost any sound you can dream up can be dialed in and stored.
It has been used by William Ørbit, Emerson Lake & Palmer, 808 State, Ken Ishii, Astral Projection, Rabbit in the Moon, Depeche Mode, Underworld, Tangerine Dream, LTJ Bukem, Apollo 440, Jean Michel Jarre, ATB, Vangelis, Pet Shop Boys, Faithless, Luke Vibert, Mouse on Mars, Laurent Garnier, MC Hammer, Bushflange, Genesis, and Eat Static.
- Demos & Media
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Video 1 - Roland JD-800 Digital SynthesizerAudio Clip 1 - A few sample hits and tones from the JD-800 synthesizer.
Manual - Roland has made manuals for most of their products available as free PDF downloads.
- Specifications
- Polyphony - 24 voices
- Oscillators - ROM based digital synthesizer
- #Instruments - 6 part multitimbral
- Keyboard - 61 key keyboard with velocity and aftertouch
- Arpeg/Seq - NO
- Control - MIDI
- Date Produced - 1991-93
- Websites of Interest
- Resources & Credits
Images from Perfect Circuit Audio.
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Typically it's analog fanatics who're jealous that digital synths like this one can sound in many more ways. And that they're used in bigger ways on many records than any moog/arp etc combined could replicate.
It's real forte is in the kind hybrid sounds, based on samples of real instruments, but combined with subtractive synthesis to produce something that is obviously synthetic, but reminiscent of real instruments at the same time.
I in particular like those sounds that combine attacks from percussion, piano's or guitar with the sustain of pads created from voices, strings or woodwind.