Roland Juno-106

Roland Juno-106 Image

The Juno-106 is a very common and widely used analog polysynth. It continues to be one of the most popular analog synths due to its great sound and easy programmability. It was the next major incarnation of the Juno-series, following the Juno-60. While it has virtually the same synth engine as the Juno-60, the 106 added extensive MIDI control making it one of Roland's first MIDI-equipped synthesizers. There was also increased patch memory storage, up to 128 patches instead of the 56 patches available in the Juno-60. However, the Juno-60 is often said to have a slight sonic edge over the more advanced 106. The 60 had the ability to modulate oscillator pulse from its envelope and has a "punchier" sound quality.

The Juno-106 is a six-voice polyphonic and programable analog synth with one digitally controlled oscillator (DCO) per voice. While classic monophonic synths used two or three oscillators to create a fatter sound, the Juno-106 uses built-in Chorus to fatten up its sound to dramatic effect. The nature of its DCO meant it was stable and always in perfect tune but still warm and analog. There is an excellent 24dB/oct analog lowpass filter with plenty of resonance and self-oscillating possibilities and a non-resonant highpass filter. The programable pitch/mod bender can be assigned to control the DCO pitch, VCF cutoff, and LFO amount all at once or individually.

The Juno-106 was the first MIDI equipped Juno and its implementation is quite good. There are 16 MIDI channels available and MIDI SysEx data can be transmitted/received from all the sliders and buttons for total remote control and sequencing capability. A switch on the back of the keyboard, next to the MIDI ports allows the user to switch between three types of MIDI modes: Keyboard and Hold data only; Keyboard, Hold, Bender, Patch selection data; or All data (including SysEx). Most users simply set it to MIDI Function mode 3 and forget it.

This synth is incredibly straightforward and very powerful. It's SH-series derived panel layout is easy to understand and very hands-on. Use it to generate lush pads, filter sweeps, and funky bass lines and leads. The Juno-106 is an awesome learning tool for anyone new to analog synthesis, as well as an electronic musician's dream for its warm analog sounds coupled with modern features like MIDI and memory - all at a very reasonable price. And still the Juno-106 has an even cheaper alter-ego in the form of the HS-60 - a hobbyist version with built-in speakers.

The Juno-106 is one of the most loved and used synthesizers by professionals and hobbyists alike! William Ørbit, Überzone, Norman Cook (Fatboy Slim), Autechre, BT, Vince Clarke, Moby, 808 State, Underworld, Leftfield, Fluke, Josh Wink, Todd Terry, Depeche Mode, Eat Static, Biosphere, The Prodigy, The Shamen, Bushflange, Cirrus, Astral Projection, Apollo 440, Faithless, Union Jack, Computer Controlled, Pet Shop Boys, Sneaker Pimps, Erasure, Freddy Fresh, Rabbit in the Moon, Kevin Saunderson, Jimmy Edgar, Laurent Garnier, Vangelis, Sigur Ros, and the Chemical Brothers have used this synth extensively! It belongs in your studio!

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195 Visitor comments
vgar
April 20, 2012 @ 11:24 am
juno 106 why and what is it, this synthesizer, it is boring it sounds thin and weak .
jilp
April 20, 2012 @ 8:21 am
"Wow, second time they didn't put Daft Punk in..." so what ?
Bluestreak
March 24, 2012 @ 6:03 am
I found a 106 with bad chips on craigslist. I could not resist. I managed to secure it for $300. Opening the case, I was pleased to find all six chips were original factory unmolested chips. I am having it professionally restored at The Synth Spa; hoping to get them both firing over MIDI by summer. Is there any particular computer software and/or controller recommended for this? I understand they communicate via sysex messages but I don't know exactly what I need to buy. I grew up in the 80's. This thing is a time machine for me.
orlando
March 19, 2012 @ 5:23 pm
People love to compare this synth unfavorably with the Juno 60, but I've owned both and I prefer the slightly plasticy, clinical sound of the 106. The 60 has a treacly sweetness that I find doesn't fit my sensibility as well (not to say that it's not a great sound). And the going price is about half as much, before even considering what's needed to add MIDI to the 60. Miss the arpeggiator, though. And the voice chip problem is real. I've done the acetone bath on two 106s, and while one of them is holding up (so far), the other has relapsed.
Circut Bender
February 26, 2012 @ 12:18 am
Wow, second time they didn't put Daft Punk in...
 
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  • Check Price
  • The link above will take you to an eBay search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - 6 voices
  • Oscillators - 1 DCO per voice: pulse, saw, and square
  • LFO - 1 with Rate and Delay
  • Filter - non-resonant high pass and resonant low pass (24 dB/oct)
  • VCA - ADSR, level and gate
  • Keyboard - 61 keys
  • Arpeg/Seq - None
  • Memory - 128 patches
  • Control - MIDI (In/Out/Thru)
  • Date Produced - 1984
  • Resources & Credits
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    Updated September 2008.

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