Roland Juno-6

Roland Juno-6 Image

The first in a series of amazingly affordable quality synthesizers from Roland's amazing Juno family! The Juno-6 is a six voice polyphonic analog synthesizer! It's a very stable synth thanks to its digitally controlled analog oscillators. The Juno-6 sounds great, however it lacks basic necessities like MIDI control and patch memory storage.

The next generation Juno-60 version added 56 patches of memory storage. Both of these synths sound virtually the same and are considered by many to sound better (punchier) than the popular follow up, the Juno-106. The Juno-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can overlook the absence of MIDI control. Of course nobody can deny that the wooden side panel look is a true sign of Vintage status! The Junos have been used by Nick Rhodes of Duran Duran, Enya, Sean Lennon, Sneaker Pimps, Vince Clarke of Erasure and Banco De Gaia.

Check Roland Juno-6 Prices on eBay

The link above will take you to a search for this synth to see active listings with more images, specs and information. If you don't find it there, try looking in our forum marketplace. Our marketplace gets thousands of visits every week so make sure to check back often if you want to buy or sell a synth.

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Are you looking to buy or sell a Roland Juno-6? Post an ad in Gear For Sale or a request in Gear Wanted. For spare parts and repair services check out Gear Services & Other Goods. Our forums also has a Buyer’s Guide section where you can ask for advice on buying synthesizers.

88 Visitor comments
October 6, 2012 @ 9:20 pm
vr, I own a Juno-6 and two Juno-60's. The only difference I know of is the HPF (High Pass Filter). On the Juno-6 it is a continuously variable fader. On the Juno-60 it is a 4 position switch. The switch is very hard to come by and usually can't be repaired. The fader is usually easier to replace or repair. Yes they sound different, because you can't get the "in between" sounds with the switch. I usually leave it at minimum unless I'm trying to make the Roland sound thinner, like a Korg *hides*. If you really don't care about the patch memory or DCB connector, save a few bucks and buy a Juno-6.
October 4, 2012 @ 3:26 pm
ok so whats the difference in sound between Juno-6 and Juno-60, anybody who OWNED both of them and can compare - it says "Both of these synths sound virtually the same" - in other words that means "they sound a bit different" - id like to buy JUNO-6 or JUNO-60 but i dont have a chance to compare... which one is better sonically - i dont care about patch memory - i want the best sounding JUNO... thanks
Andreas Sandberg
September 7, 2012 @ 5:06 am
I've owned this instrument since 1995 and I love it. Previously I used it for playing live chords, basslines and create effects. Recently I've use the arpeggio clock to sync it with MIDI through audio signals from another device, such as a drum machine. Fun to play with and it sounds great. Glad I didn't sell it...
September 5, 2012 @ 10:47 am
not overly complex but at least in my setup hands down the best sounding synthesizer. you won't approach it for the far out stuff you'd get e.g. out of something as tripped out as an OB12, but you will turn to it for the beautiful, "expensive" sounding elements.

no a physics lab but a mature, very very well sounding instrument. highly recommended.
August 18, 2012 @ 10:52 am
@sonic boy... Glad you did you research on price. you should have no problem making lots of money off of the real world. SH-201, GAIA, or JX-3P???? First of all a Jx-3p is not as cool of a board as a juno. Second of all a Roland GAIA and sh201 arent analogue synths at all. If you are comparing modeling and virtual synths to a roland juno 6 you are way off base. Have you been taking advice from the guys in the keyboard dept at the Guitar Center again?
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  • Check Prices on eBay
  • The link above will take you to a search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - 6 voices
  • Oscillators - DCO: pulse, saw, and square
  • LFO - rate and delay
  • Filter - non-resonant high pass and resonant low pass
  • VCA - level, ADSR and gate
  • Keyboard - 61 note keyboard (no velocity or aftertouch)
  • Arpeg/Seq - External JSQ-60 Sequencer
  • Effects - Chorus (2 types)
  • Memory - None
  • Control - Filter Control In, Ext Clock In
  • Date Produced - 1982

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