Roland Jupiter-6

Roland Jupiter-6 Image

The Jupiter-6 is an incredible analog synth. All of the Jupiters have a sound that was unlike any other synthesizer and the Jup 6 is no exception. This sound is due in part to classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 12 analog oscillators at 2 per voice. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs.

The Jup 6 is a scaled down version of the Jup 8 in terms of programming and polyphony. However the Jup 6 has some major improvements of its own such as newly added MIDI control and better tuning stability! While the Jup 6 does have MIDI, the implementation is very rudimentary and hard to control. The Jup 6 was one of the very first (along with the Sequential Prophet 600) synths to use the then new MIDI protocol, and the implementation on the Jup 6 is far from complete.

Roland Jupiter-6 Image

Synthcom Systems, Inc. offers the Europa firmware upgrade for the Jupiter-6 which gives it an up-to-date and comprehensive MIDI implementation. All parameters are controllable via Continuous Controller or SysEx. Europa also features an extensive arpeggiator which will sync to MIDI clock with programmable clock divisors and rhythms, and has about 50 more playback variations than the JP-6's original Up, Down, Up/Down, and Down/Up. A Europacized Jupiter-6 is a thoroughly modern synth with a classic sound.

The Jupiter-6 is an excellent for ambient drones, pads, blips, buzzes and leads. The Jupiter-6 is known for being a very reliable, programmable, polyphonic, analog monster of a synthesizer! It is used by Orbital, Moby, Überzone, Devo, BT, The Prodigy, Vangelis, The Chemical Brothers, The Crystal Method, ZZ Top, Duran Duran, Moog Cookbook, and Blur.

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120 Visitor comments
November 10, 2011 @ 2:08 pm
I recently got hold of one of these and im getting more and more into it.
If you can't get decent soounds out of it you obviously can't program a synth very well.
Very nice filtering, lots of character, it is definitely "Roland" in every way. Personally I don't find it thin at all, in a number of cases it's been very FAT and capable of serious volume / oomph. Use some decent FX to make it sing!
I particularly love the blippy percussive arpeggio stuff coupled with nice pads and sweeps. The main problem is it's so tweakable it's hard to stick to just one sound without noodling!
November 10, 2011 @ 1:34 pm
I figured out how to cure the lacking bass on my JP-6. EQ! Seriously folks, just get a cheap EQ pedal, crank up the bottom of the curve at about 80mhz and forget about it. You'll have your punchy polysynth.

I've done extensive side-by-sides with my Juno 106 (which is arguably much more bassy than the JP6), add ~+7db at 80mhz and they become nearly indistinguishable. There's no doubt that the Jupiter is lacking low-end tone.

From there the filter on the JP6 still isn't as 'thumpy' as the Juno but you won't complain about the Jupiter 6 sounding 'weedy'. For what it's worth...
August 27, 2011 @ 4:29 pm
The JP-6 may not a punchy bass synth, but is worth the price alone just for the sensational pads and strings it produces.

This synth really rips with the filter wide open and the fidelity is sexy. Awesome at long, evolving sounds as well.

It doesn't eat up a mix like many analogs of the day - it sits in the mix so well.

It also makes very sincere or nasty lead sounds. It's also a sound effects master - great big dives, portamento effects, razor-edged blips and beeps, horrifying wind and white noise effects.

One of my favorite synths hands down
July 1, 2011 @ 11:00 am
I wouldn't be without my JP6 I think it just sounds gigantic (Solo+Unision Detune and BOOM!) and is really suprising the complexity of sounds that can be mined from it. I may not be as earth shattering as a dedicated monosynth, but compared to my Nord Rack/Blofeld/Jx3p it's tremendous. Still suprsing me after 14 years...
June 28, 2011 @ 3:52 pm
I've always found that it looks better than it sounds. Spend most of it's days switched off but looks the part with all of those flashing LED's! A nice synth... but nothing to get excited about imho. Ones of synths that sounds much better with a load of delay/reverb on it to bring out the best in it.
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User Rating

Rated 4.53 (1129 Votes)

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  • The link above will take you to an eBay search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - 6 voices
  • Oscillators - 2 VCO's per voice (12 oscillators total!)
  • LFO - 2 LFO's with 4-waveforms (sine, tri, ramp, random)
  • Filter - 24 dB/oct 4-pole lowpass/high pass or 12 dB/oct 2-pole bandpass with their own ADSR envelope
  • VCA - 2 Standard ADSR's with keyboard track and mixer to balance oscillator levels
  • Effects - None
  • Arpeg/Seq - 1 Arpeggiator
  • Memory - 48 tones / 32 patches
  • Keyboard - 61 keys
  • Control - MIDI
  • Date Produced - 1983
  • Resources & Credits
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