Roland SH-201 Synthesizer

Roland SH-201 Image

Roland has resurrected their SH-series of synthesizers with the SH-201, an analog modeling synthesizer that's both fun and easy to use with plenty of features and cool sounds at a great price. The sounds and controls are analog style, and the SH-201 features Roland's famous Supersaw waveform (introduced in the JP-8000), resonant filter, saturation control, and more. Unlike the original SH-synths which were monophonic affairs, the SH-201 offers 10 voices of polyphony, which is perfect since we only have 10 fingers and this is definitely a hands-on performance oriented synthesizer.

At its heart the SH-201 has two beefy analog-modeling oscillators with ten analog styled waveforms. The two oscillators can be blended together in the Mix section, and there is also oscillator sync and ring modulation. Of course there is a filter section with High, Low and Band pass filtering at 12 or 24 dB/oct slopes, with the usual cutoff, resonance and key follow controls. Two LFOs add some modulation with 6 wave shapes plus sample-n-hold and multiple destinations. It also comes with high-quality delay and reverb effects, an overdrive control, and (like the SH-101) an arpeggiator function with 32 patterns.

Like the SH-101 of the early eighties, the SH-201 is quite user friendly, with a fairly simple and organized panel lay out (in a logically positioned signal path from left to right) and every control onboard is within reach. There are no complicated touch screens or menus of parameters to wade through, just grab a control and tweak! The keyboard is compact with just 49 keys and is only sensitive to velocity (no aftertouch). Patch memory is a bit on the disappointing side, with only 32 user and 32 preset patches. However, with its state-of-the-art USB connectivity, the SH-201 can be connected to a Mac/PC computer (both MIDI and audio can be routed through the USB port) and a VSTi software editor is included, which allows SH-201 sounds to be edited and stored from within a VSTi-compatible host software sequencer.

Roland SH-201 Image

The SH-201 also features external audio inputs with dedicated filters and effects. The SH-201 also features Roland's D-Beam technology allowing you to simply wave your hand above the D-Beam controller to create some wacky pitch-bends or modulations to the sounds. While it is clearly loaded up with Roland's latest technology it is packaged in a synth that is easy to use and simple to understand, with instantly accessible analog-type synth sounds that won't empty your wallet to attain--and in that way, this truly is a Roland qualified to carry the "SH" designation.

It is used by Richard Barbieri.

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145 Visitor comments
May 19, 2011 @ 2:05 pm
The filter and oscillators sound exactly the same as the JP-8000. There are more osc choices and each layer has 2 LFOs with 2 destinations, which is better than the JP. Setting one LFO to a random pitch really makes this thing come to life, plus you still have another for filter, amp, etc. You can also modulate incoming audio with a filter and LFO, which is great for backing tracks. There's a few odd button combos to remember for editing; the PC editor is only needed for arp programming and more patch storage. So while it sounds exactly the same as the JP, there are some pluses and minuses.
May 18, 2011 @ 7:11 pm
This synth is used by Suicide Commando and it's good for it's Supersaw preset also featured on the JP-8080/JP-8000 and the later SH-01 Gaia synth from Roland in 2010 and now the Novation X-Station is replaced with the UltraNova, it's just a shame that the synth that came before it ceases production like the SH-201 which was Replaced with the Gaia SH-01, but it seems companies are rolling towards more synth workstation based on samples, Roland have done just that lately, Fantom X, ect. now the Jupiter-80.
May 16, 2011 @ 6:14 am
Thats a good point!the SH-32 has a much bigger synthesis range(great waveform selection with digital type waveforms thrown in too!) and goes for cheap(ebay around £150) too simply because people don't realise the power of the things! A kick [beep] little fella with a really meaty sound! (:
April 6, 2011 @ 5:46 am
Had it, sold it.
Plastic housing, but OK. Good keys, good PC connectivity, great layout, promising design.
BUT, sounds terrible, metallic and resonant, can sound good and even excellent after you sweat enough.
I make patches usually myself for what I need, and this one has hard-to-find sweet spots, a micro tiny tweak and you're out of it. I wouldn't ever buy it again for the sound itself, this is the only synth I really don't like. However, it might be interesting as an entry kbd with essential synthesis and control possibilities, since it is really getting cheaper. Get SH-32 instead.
March 29, 2011 @ 3:31 am
Its definatly a good entry synth alround really, though people should note that this synth is basic as it comes hands on!if you want a stronger sound and better on board controls the JP8000 is the way to go really(my fave VA other than the virus!). (:
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Rated 4.25 (913 Votes)

  • Check Prices on eBay
  • The link above will take you to a search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - Up to 10 voices
  • Oscillators - 2 Analog Sound Modeling oscillators;
    Knobs: Pitch, Detune, Pulse-Width/Feedback, Pitch Enveloper: Attack, Decay;
    MIX/MOD Section: Oscillator Sync, Ring Modulation, Low Boost/Low Cut, Knob: Balance (OSC1/OSC2)
  • LFO - 2 LFOs; Shapes: TRIANGLE, SINE, SAW, SQUARE, TRAPEZOID, SAMPLE AND HOLD, RANDOM, Knobs: Rate, Destination 1 Depth, Destination 2 Depth, Tempo Sync ON/OFF
  • Filter - 1 Filter; Types: LPF, BPF, HPF (-12 dB/-24 dB), Knobs: Cutoff, Resonance, Key follow, Enveloper: Attack, Decay, Sustain, Release
  • Amp - 1 Amp: Level, Insertion Effect: Overdrive, Enveloper: Attack, Decay, Sustain, Release
  • Effects - Reverb, Modulation Delay
  • Arpeggiator - 32 Patterns (programmable with PC editor software)
  • Memory - Preset : 32, User: 32
  • Keyboard - 49 keys (velocity sensitive)
  • Control - MIDI (IN, OUT), USB Connector (AUDIO/MIDI)
  • Date Produced - 2006
  • Resources & Credits
  • Images from Roland-US.

    Reviewed August 2008.

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