Yamaha • DX-27

The DX-27 is a full sized keyboard version of the DX-100. Like all DX's it uses (FM) Frequency Modulation synthesis. It's not the easiest form of synthesis to program but can result in some excellent sounds. The DX27 is not as flexible nor powerful as a DX7, but it does have some cool sounds. It is most renowned for its great analog bass sound (Patch #01) that is awesome for techno, house, jungle, and acid music styles; it's very gritty, the bass tone with gristle! However, any other preset sounds that you'll find in the DX-100 are pretty bad. Though the DX-27 adds a standard 61 note keyboard it still lacks filters, arpeggiators, effects or performance wheels and controllers.
Pictured above is the DX-27S which adds built-in speakers for the home-user. It also has a stereo chorus effect and Pitch bend & Mod wheels and has support for a Breath Controller.
Free demo downloadable.
Support for Yamaha DX21/DX27/DX27S/DX100:
- full patch editing
- Real Time graph
- manages assigning ROM patches to A,B,C,D banks for the DX27/100
- manages pitch envelope of the DX21
- functions initialize, randomize and morph
It does gritty bass, medium-thick leads and alien sounds easily, and don't expect it to come up with beautiful pads or realistic pianos and the like. But for FM explosions and game sounds, this the thing. Do take note that nowhere in here is there any form of Cutoff and Resonance.
I imagine it to be the FM version of a Moog Source ( in terms of programming ) and that's fine. For the record, this one ain't goin' to the uncle!
Get a life guys. VSE's about cool hardware, not your egos.
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