Yamaha DX7

Yamaha DX7 Image

One of the most popular digital synths ever was the DX7 from Yamaha, released in 1983. It featured a whole new type of synthesis called FM (Frequency Modulation). It certainly is not analog and it is difficult to program but can result in some excellent sounds! It is difficult because it is non-analog and thus, a whole new set of parameters are available for tweaking, many of which seemed counter-intuitive and unfamiliar. And programming had to be accomplished via membrane buttons, one data slider and a small LCD screen.

Still the sounds it shipped with and that many users did manage to create were more complex and unique than anything before it. Percussive and metallic but thick as analog at times, the DX7 was known for generating unique sounds still popular to this day. The DX7 was also a truly affordable programmable synth when it was first released. Almost every keyboardist bought one at the time making the DX7 one of the best selling synths of all time! It also came with MIDI which was brand new at the time - Sequential had already released the first MIDI synth, the Prophet 600. Roland had just released the JX-3P with very basic MIDI implementation, and wouldn't get around to adding full MIDI for another year with the Juno-106, and it would be three years before Roland can counter the popularity of the DX7 with a digital synth of their own, the D-50.

Yamaha DX7 Image

The DX7 has been used by the Crystal Method, Kraftwerk, Underworld, Orbital, BT, Talking Heads, Brian Eno, Tony Banks, Mike Lindup of Level 42, Jan Hammer, Roger Hodgson, Teddy Riley, Brian Eno, T Lavitz of the Dregs, Sir George Martin, Supertramp, Phil Collins, Stevie Wonder, Daryl Hall, Steve Winwood, Scritti Politti, Babyface, Peter-John Vettese, Depeche Mode, D:Ream, Les Rhytmes Digital, Front 242, U2, A-Ha, Enya, The Cure, Astral Projection, Fluke, Kitaro, Vangelis, Elton John, James Horner, Toto, Donald Fagen, Michael McDonald, Chick Corea, Level 42, Queen, Yes, Michael Boddicker, Julian Lennon, Jean-Michel Jarre, Sneaker Pimps, Lynyrd Skynyrd, Greg Phillanganes, Jerry Goldsmith, Jimmy Edgar, Beastie Boys, Stabbing Westward and Herbie Hancock. Pretty impressive for just a partial listing!

Following the monaural DX7 came the stereo DX7 mkII - just as popular and much more advanced. Its unique sounds are very popular for industrial techno type music as well as ambient and electro. The TX-7 is essentially a desktop module form of the DX7 but is even harder to edit or program since it requires external editors or software. The monolithic DX1 and DX5 models which packed two DX7 synth engines into one instrument were the epitome of the DX line of synths created by Yamaha. There have also been a few budget spin-offs like the DX9, DX100, DX21 and DX27. FM synthesis has also made its way into the TX-81Z & TX-802 and software synthesizers like Native Instruments FM7.

Still the DX7 has remained the all around best and most popular DX synth due to its affordable price, professional features for studio and live performance and its excellent range of sonic possibilities and extensive programmability. In fact the reason the DX7 is always so affordable (usually under $500 second-hand) is because there are so many of them out there, still being used and traded! And they are reliable, still functioning well over 20 years later unlike older analog gear.

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137 Visitor comments
Jack (FdA Music Student)
October 26, 2011 @ 8:35 am
Hate to sound like a spoil sport, but i noticed a few people have been typing up that they thinkit's a great 'Analogue synth'. It's not, it's a digital synthesizer. It stores sounds on it's microprocessor, therefore making it digital.
Sorry for sounding like a grumpy person, but i just like facts being set straight.
Jack.
Solstice
September 17, 2011 @ 9:19 am
Also used by "Partenaire Particulier" french band.
Liquidyzer
September 16, 2011 @ 9:16 am
Building on Whats been said, amazing synth and i love my analog stuff, to be honest it produces sounds that fit lovel in a mix next to warm analog sounds. Patches are so dense and rich i find myself coming back to it more and more. Programming can be initially tough to get your head around but so rewarding. Build quality is excellent. Almost completely metal it's almost tank like and can be bought for just over £100!! (at that price forget Dx100, dx9 etc) NI plugin is almost identical sounding to me but anyone know why the dumbed down FM8 from FM7? Anyway get the original & the Best!
rib
August 4, 2011 @ 3:28 pm
You could have all the money in the world and never find a better e-piano these days. Every nuance is tweakable - but it may not be readily accessible(!). I find myself coming back to it again and again for keyboard sounds. If you want to hear every note in your chords, you -might- like the DX7.
Mark
August 2, 2011 @ 7:29 am
pedro guzman, the DX7 never touched the Thriller record! Thriller was out by '82! So it just could not have been :)

I can tell you though that the Chord sound on Billie Jean was made using a Yamaha CS80!

Now, the 'Bad' album...plenty FM synth action on that album!
 
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  • The link above will take you to an eBay search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - 16 Voices
  • Oscillators - 16 bit Digital 6 operator FM.
  • #Instruments - (1) Monotimbral
  • LFO - Sine/Square/Tri/SAW up/SAW Down/Random
  • VCA - 6 Envelope generators 8 parameters each
  • Keyboard - 61 keys (w/ velocity and aftertouch)
  • Memory - 32 Patches
  • Control - MIDI
  • Date Produced - 1983-87
  • Resources & Credits
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