Yamaha TG500

Yamaha TG500 Image

The TG500 is basically a box-o-sounds. It is based on Yamaha's SY85 (1992) and doubles the polyphony but loses the sequencer and most of the buttons and controls for real-time and patch editing. You can go with just the stock sounds, their sound quality is excellent, using AWM2 (Advanced Wave Memory), Yamaha's synth-engine of choice since the days of FM-synthesis. You can also add external ROM cards for many more sounds in various styles. Despite the lack of controls, the TG500 has edit capabilities as extensive as the SY-85, and is easiest to program using an external or software based editor.

But as we said, it's a box-o-sounds with four expansion card slots right on the front-panel (two slots for data cards & two slots for wave cards) and a big fat volume knob. Six individual audio outputs make tracking or live PA mixing possible. It has three basic modes of operation: Voice - allows access to one patch at a time. Multi - allows up to 16-part multitimbral patches for sequencing. Performance - split/layer up to 4 patches across keyboard. Like the SY-85 it's got multi-mode filters and a dual-effects processor with chorus, flange, reverb, delay, exciter, parametric EQ, echo, ring modulation, leslie, distortion, etc. The effects can be used in series or parallel, and there are 4 busses to route sounds through them. The TG500 was a great and economical way to get Yamaha's AWM2 style sounds, but may seem limited today.

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  • The link above will take you to an eBay search for this synth to see active listings. If you don't find it there, try looking in our forum marketplace or post a wanted classified.
  • Specifications
  • Polyphony - 64 voices voices (2 x 32)
  • Oscillators - AWM2 (2nd-generation Advanced Wave Memory)
  • Filter - Digital LPF, HPF, BPF, BEF (Band Elimination Filter)
  • Sequencer - None
  • Effects - 2 Discrete FX units, each with 90 effect types (Chorus, flange, reverb, delay, exciter, EQ, ring modulation, leslie, distortion, etc.)
  • Keyboard - None
  • Memory - 384 Patches, 252 Performances
  • Control - MIDI (16-part multitimbral)
  • Date Produced - 1992

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