Yamaha TX802


Despite its name, the TX802 FM Tone Generator is basically a rack-module version of the DX7mkII with full 8-part multi-timbral operation for sequencing and/or key mapping. It has 16-voices of polyphony and six digital FM Operators, the same as in the DX7mkII. There are 128 preset and 64 user patches for your sounds, as well as an external memory cartridge slot.
As if the large keyboard DX versions weren't difficult enough to program, the TX802's limited interface makes editing and programming your own sounds next to impossible without the help of external hardware or software editors. In the late 1980's, the TX802 was an excellent way to get a compact box full of Yamaha's DX sounds.
- Demos & Media
-
Manual - Download the original owner's manual here.
- Specifications
- Polyphony - 16 voices
- Oscillators - Digital FM synthesizer with 6 Operators and 32 algorithms
- LFO - Yes
- Filter - None
- Effects - None
- Keyboard - None
- Memory - 128 preset patches, 64 user patches
- Control - MIDI (8-parts)
- Date Produced - 1987
- Websites of Interest
- Resources & Credits
Images from Perfect Circuit Audio.
Errors or Corrections? Send them here.
So, what's the problem, again?
This is a bargain-priced DX7mkII with nice MIDI implementation and rarely matched sound. I won't get into the softsynth argument, especially on a site dedicated to vintage synths, but... FM7 is very nice. However, for example, my sound card only has 6/3 output - this has 8 outs - and i like to output other stuff from the card as well (effect returns, and so on)... Hardware is nice sometimes, even if the software can match the sound bit-for-bit. No latency, awesome sound, hands-on feel, dedicated outputs. C'mon VSE - revise your review!
Oh and one other thing ... sorry Native but FM7 does NOT compare or ever will within current platforms
Its a little misleading to think that you get 8 DX7's - the 8 outputs can only output 2 voice at a time.
Secret is to layer sounds in the performance patches and the power of this machine really comes into its own.