E-mu • Emax

E-mu Emax Image

The Emax is a classic sampler workstation from E-mu. It is sort of a next generation Emulator II, it's not as good as an Emulator III but it's more powerful than previous EII's. The Emax can be found in several forms: the Emax, the Emax Rack, the Emax HD (built-in 20MB hard disk, pictured above), the Emax HD Rack (pictured below) and the Emax SE (Synthesis Enhanced) with a built-in synthesizer section. The Emax's editing system will be familiar to users of E-mu's excellent ESI series.

The Emax has an extensive library collection of samples that can be loaded via the built-in 3.5" hard drive. Or you can sample your own sounds. The Sampler is powerful, but lo-fi. It samples at 12-bit resolution with variable sample-rates up to 42kHz. The built-in memory is 512K which only gives you a few good seconds really. Sampling and editing is easy, complete and intuitive with auto sample placement, auto-looping, truncating, reversing, velocity cross-fade, etc. The Emax also features individual channel outputs and stereo outputs and extensive MIDI implementation.

E-mu Emax Image

The Emax features many common analog synth-type controls for easily shaping your samples. Tune, filter and shape the envelope or use LFO's and chorus to liven up your samples. There's also an on-board sequencer section. A real-time only 16-track, non-quantizable sequencer for basic scratch-pad use or simple arpeggios or patterns. The SE and SE Plus models, the most advanced of the 12-bit Emax's, add a synthesizer section, newer advanced digital signal processors for sample editing and a SCSI port (standard on the SE Plus). The Emax instruments were the most advanced of the classic keyboard samplers of the late 1980's.

The Emax II which was released in 1989 brought the Emax series up to modern specs with 16-bit sampling, 16-voice polyphony, 16 MIDI channels, stereo samples, 1MB RAM expandable to 8MB, SCSI, 8 assignable outputs and the SE's synthesis functions. And finally, the Emax II Turbo came with 4MB RAM standard and a 4MB hard disk. Whichever Emax you choose, they're all classic machines still capable of professional quality results when used in making the music of today. It has been used by U2, Orbital, Astral Projection, Skinny Puppy, Meat Beat Manifesto, Nine Inch Nails, Mouse on Mars, Richard Barbieri and Depeche Mode.


VISITOR COMMENTS

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Kain
Posted 18 days ago
It's still one of the most reliable Samplers I know,I still use 2 of Them Live!!!
Nick Esposito
Posted 19 days ago
Can this thing process samples very heavily? If so, this is probably Mouse on Mars' most used sampler.

Spacetime Continuum uses an Emax II.
channelstepper
Posted 19 days ago
The E-mu Emax was used by CLOCK DVA on their albums 'Buried Dreams', 'Man Amplified', 'Digital Soundtracks' and 'Sign'.
Mike
Posted 46 days ago
Sorry, I meant to direct the last bit of my post to George, not Loopwhole!
Mike
Posted 61 days ago
The Emax is a great piece of kit. It's not the sampler you want if you're after a crystal clear, perfect rendition of a sound. What the Emax does is add a unique colour and crunch to sounds, turning sounds into something new. If you like the sound of mid-80s Depeche Mode you'll love it. The interface is initially daunting but once you get used to it you'll find it easy and enjoyable to use. As well as the standard digital editting , the Emax has an SSM-based VCF and VCA section and this section is really special, giving almost boundless opportunities to manipulate your sounds just as you can with a synth.

Loopwhole, you do not need to worry about getting an OS disk. Any sample disk created on the Emax contains the OS on it. I'm not sure if Emax II disks work in an Emax I or visa-versa though.
 

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