Electronic Dream Plant (EDP) • Wasp
The Wasp
The Wasp is a quirky little synthesizer that, despite its toyish look, is quite capable of funky analog sounds. It really is black and yellow too, just like the insect it is named for. Probably its most distinguishing feature is the keyboard and its non-moving touch-sensitive keys. That's right, the flat little keys are only sensitive to your electro-static touch. It's a nifty technology for 1978, but in reality they are difficult and unreliable to play. There's also a little speaker built-in to the synth and EDP's own pre-MIDI connectors for linking to other Wasps and EDP gear.
A look under the hood, however, reveals some surprises. The WASP is powered by two digital oscillators supported by analog filters, envelopes and controls. This makes it one of the earliest digital/analog hybrid synthesizers to come in such a compact package, and it sounds great! The Wasp offers flexible and traditional synthesis of cool bass, synth, and other classic monophonic sounds. Its designer, Chris Hugget, also designed the Oxford Synthesizer Company's OSCar Synthesizer. The Wasp has been used by 808 State, Dave Holmes, Vince Clarke, WhiteHouse and Add N to (X).
The Wasp Deluxe
Later versions of the Wasp included the Wasp Deluxe (released 1979) which had all the features of the original plus a standard 3-octave keyboard, wood panels, an oscillator mixer, external audio-input, a larger built-in speaker and battery operation. Definitely redesigned for the practical musician. There was also the Wasp Special (released 1981) which also came with wood panels, a black and gold color scheme, and an internal power supply, but no more built-in speaker and a return to the touch-sensitive keyboard design. EDP also produced a heavily modified Wasp that was built into a guitar-form called the Keytar. It had a two octave keyboard and transpose and portamento buttons on the neck. However, only two Keytars were ever made as far as we know.
The Wasp Special
The rest of EDP's wild world of synthesis includes the Spider, a 252-note step, or 84-note real time digital sequencer designed to control the Wasp. The Caterpillar which is a 3-octave master keyboard for controlling up to four inter-connected Wasps played polyphonically. The Gnat which is a smaller, single-oscillator version of the Wasp that could be linked to another Wasp to form a makeshift triple-oscillator synth playable from either keyboard (the Gnat also came in three versions similar to the Standard, Special and Deluxe models of the Wasp). All EDP instruments could be inter-connected via their own pre-MIDI style connection interface. While the Wasp and it's fellow insects may seem quirky and even toy-like, their sound, technology, flexibility and portability make them surprisingly good instruments that can still be found in use today.
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LOOKS SMALLER THAN HE IS
LOOKS HEAVIER THAN HE IS
LOOKS MUCH POISONOUS THAN ON ANY PICTURE
FEELS BREAKABLE WHEN YOU PLAY
SOUNDS LIKE A WONDERFUL NIGHTMARE