Oberheim • DSX

Oberheim DSX Image

In the early 1980's Oberheim unveiled a new (pre-MIDI) proprietary system called the Oberheim Parallel Buss. This was a system in which several newly released pieces of Oberheim gear could be easily connected and synchronized. These included the lush OB-8 eight voice synth, the DMX drum machine, and the DSX Digital Polyphonic Sequencer. The DSX can interface directly with other Oberheim synths as well, including the OB-Xa, OB-SX, and OB-X. The DSX can synchronize to the DMX, or it can control the OB-synths. In addition to controlling these synths, the DSX features 8 CV and Gate outputs to control up to 8 more other analog synthesizers!

For an analog synth player, the DSX adds an incredible amount of sequencing power never really seen on other analog synths' built-in sequencers of the time. The DSX records in realtime the notes and patch changes you create while playing your OB-synth. It can hold up to 6,000 notes! The DSX can store up to 10 different sequences/songs. Each sequence can have 10 polyphonic tracks for multiple OB-synths and DMXs. Patch info including splits and doubles can be stored too. Quantizing, looping, editing, transposing, and sequence merging are a few more features. If you've got any of these classic (pre-MIDI) Oberheim analog OB-synths lying around, the DSX is an easy way to directly control them in a classic way, and without any need for MIDI retro-fits or interfaces.


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Micke
Posted 379 days ago
According to the owners manual, the DSX started shipping in Oct 1981 (one month before the DMX).
tomislav babic
Posted 460 days ago
Beautiul example of prominent use of DSX, as a part of a Oberheim system with DMX and OB-XA, is on two Mike Odlfield albums: "Crises" (1983) and "Discovery" (1984).

Its main drawbacks are that it requires either a OB-X/OB-XA or OB-8 keyboard to input notes, and its limited to real-time recording, there's no step input.
 

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