Roland Gaia SH-01

Roland Gaia SH-01 Image

Following the SH-201, Roland continues its SH-series with the Gaia SH-01. The Gaia is an analog modeling synthesizer that retains the basic traits of previous SH-series synths: hands-on tweaking, user-friendly layout and compact design. You won't find any screens or menus on this synth—so if you're in the market for a hands-on, tactile synthesizer, the Roland Gaia SH-01 is not to be overlooked. There are 64 preset sound patches as well as 64 user patches—a huge improvement over the paltry 32 user patches in the SH-201. Weighing in at less than 10 pounds and able to run on battery power, the Gaia is a compact sound designing tool worthy of stage and studio.

The Gaia SH-01 features three oscillators, each with seven different waveforms (saw, square, pulse, triangle, sine, noise and super saw). Each of the seven waveforms have three variations, so it's almost like having 21 waveforms to choose from…per oscillator! Course tuning, fine tuning, oscillator sync and ring modulation controls, and a two-part (attack/decay) envelope generator complete the oscillator section. The filter section has all your basic controls (cutoff, resonance, a dedicated ADSR envelope generator) but also allows you to choose between low-pass, hi-pass, band-pass, or peaking filters. You can also bypass the filter entirely. The amp section controls the volume of the selected oscillator and has your standard ADSR envelope generator. The Gaia essentially offers three LFOs at your disposal (with controls for rate, tempo sync, delay time) that can be routed to any combination of the oscillator, filter or amp.

What makes the Gaia SH-01 stand out, is that although there is physically one oscillator, one filter, one amp and one LFO, you actually have three of each that are virtually layered over one another. In other words, this synth can sound huge! Many synthesizers have any number of oscillators that mix down before going to the filter and amp, but each Gaia oscillator has its own filter, amp and LFO, allowing for some very interesting patches. Furthermore, there is a dedicated master effects section featuring distortion, fuzz, bit crusher, flanger, phaser, pitch shifter, delay, panning delay, reverb and low boost. Each effect is highly tweak-able and really helps bring its sounds to life.

Of course, Roland has their "D-Beam" sensor for live performance fun (or just showing off to your friends). There is an onboard phrase recorder, arpeggiator, external audio input with various voice-canceling options, V-link support, 37-key keyboard with pitch/mod combo joystick, MIDI In/Out and USB connectivity to store patches to a thumb drive or use the bundled patch editor software. No MIDI-Thru may be an issue for some—the Gaia will need to be last in your daisy chain.

Roland Gaia SH-01 Image

The predecessor to the Gaia SH-01, the SH-201, notoriously felt cheaply made, particularly the keys and the plastic casing. The Gaia is still plastic, but the keys feel much better than the SH-201 and the Gaia feels less "hollow" and more robust than the SH-201.

For well under a thousand USD, you'd be challenged to find a better analog modeling hardware synthesizer. There is so much more to this synth than meets the eye. On top of the fact that you have three oscillator sections, filter sections, amp sections, and LFO sections that all mix down to the master effects section, there is a "Shift" button that allows you to adjust countless other parameters to further expand your synthesizing. Nearly every knob, button and fader has a second function via the "Shift" button. Roland could not fit all the "Shift" functions on the panel, but the manual contains a list of these parameters and they are logically laid out to help keep you planted in the groove of sonic exploration.

In summary, the Gaia SH-01 highly compliments the SH-series name and is more than worthy of carrying the name. Analog purists, forget about "analog vs. digital" and just give this synth a try, it's surprising how good analog modeling can sound when Roland does it right!

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69 Visitor comments
February 9, 2014 @ 2:34 am
The SH-01 is NOT an "analog modeling synthesizer". It is an "analog emulation" synth. Korg Z-1, Yamaha AN1x, Roland JP8000, etc, are "modeling" synths. With that said, the SH-01 is a neat & cute little synth. It's nothing special, just a cool, inexpensive & fun lil'synth. Almost toy-like compared to my Kronos X, PC3K, Z-1, Fusion, Motif w/PLG150-AN, etc, but it's ultra simple & fun to use & sounds good too. Build quality is decent, but not great. (MIDI [beep] s!) As w/anything, you get what you pay for. My biggest complaint = No editor included. ($89 extra) That's pretty lame/petty.
January 30, 2014 @ 3:31 am
Hi All. I've owned this synth for 2 yrs now. When I saw a youtube video of Jordan Rudess with one in his studio I thought that's cool, I've got one of those. Sync this to your DAW along with something like a micro brute and WOW. Sure, on it's own it get a bit thin but double up with an analogue and your in heaven. I've owned synths for 30 yrs, my first a Juno 60...sold for $400AU dollars 20 yrs ago...who'd think the whole analogue thing would come back! Anyhow I find when I'm trying to figure out how to make a sound I head for my SH-01 'cause I find it's easy to work with. I like this thing!
January 21, 2014 @ 7:55 am
Just as an addendum to my last comment, the built in Midi is horrible and pointless. You can't turn it off and there is no filter. So for example, when i connected an Octatrack to it with a view to sequencing on the box and the Gaia as a sound generator, all the channels active on the Octatrack triggered GM Sounds on the Gaia. Lame
The built in midi / and audio is good though . Very helpful when you've just got a laptop to hand and want to do some recording. You can record the GAIA over it's USB port. Nice.
January 21, 2014 @ 7:41 am
Ive owned my Gaia for a couple of years - went looking for a good workhorse synth and considered the Novation, Roland, Waldorf, etc etc. In the end i appreciated the quick sound design access on the Gaia above them all. The Waldorf Blofeld had the edge on build quality but the 1:1 layout of the Gaia pipped it to the post. You've got to accept that this is NOT an analogue synth however. It is a synth with a particular sound in its own right. I would also argue that the 'thin' sound actually makes it easier to place in a mix, although admittedly when listening to it on it's own it sounds lacking
The Ghoul
January 14, 2014 @ 9:36 pm
Added one of these to my studio and I actually like it. Within a day, I had used it to create a track for a local theatre company that required a "Heavenly" soft pad and a harsher one for the "evil". The Gaia gave me what I needed in a reasonable time frame.
Remember, it is analog modelling and will never match my 1980s boards, nor would I expect it to. This instrument, like all synths, has it's place and it's own distinct voice. So, if you play it and don't like it, then it's not for you. cool, but, I recommend spending some time actually creating your own sounds before you write it off.
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  • Specifications
  • Polyphony - 64 voices
  • Multitimbral - 16 parts (1 VA, 15 PCM)
  • Oscillators - Virtual analog synthesizer sound generator, PCM sound generator
  • Waveforms - Saw, Square, Pulse/PWM, Triangle, Sine, Noise, Super Saw
  • LFO - Waves: Triangle, Sine, Saw, Square, Sample-Hold. Controls: Rate, Fade Time, Pitch Depth, Filter Depth, Amp Depth.
  • Modulation - Oscillator Sync, Ring Modulation
  • Filter - LPF, HPF, BPF, PKG (-12 dB/-24 dB), Cutoff, Resonance, Key Follow, Attack, Decay, Sustain, Release, Envelope Depth
  • Envelope - Amp: Attack, Decay, Sustain, Release
  • Effects - Distortion, Fuzz, Bit Crash, Flanger, Phaser, Pitch Shifter, Delay, Panning Delay, Reverb, Low Boost
  • Vocoder - None
  • Sequencer - Phrase Recorder: 8 patches, 1 track
  • Arpeggiator - 64 patterns
  • Keyboard - 37 keys (velocity sensitive)
  • Memory - 64 Preset, 64 User
  • Control - MIDI In/Out, USB 2.0
  • Controls - Pitch Bend/Modulation lever, D Beam Controller
  • Weight - 4.2 kg (9 lbs. 5 oz.)
  • Date Produced - 2010

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