Roland • SH-1000

The SH-1000 was Roland's first instrument, and probably one of the first Japanese compact affordable keyboard synthesizers. There are big ugly buttons typical of organ synths at the time. However this synth is more capable of monophonic bass like and lead sounds. Basic square, ramp and PWM waveforms are available. There are 10 preset sounds which are pretty unusable, and although there is no user memory, unique sounds can still be quickly recreated or discovered. It has a 'growl' and 'wow' effect for a pretty scary analog sound. It also features white noise, pink noise, portamento, octave transposition and a random note generator.
In retrospect, the SH-1000 is ugly, its capabilities are limited, it's un-intuitive to program, it's a dinosaur! But it's also a classic piece of Roland's history. It has been used by Vangelis, Human League and Jethro Tull.
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The ability to mix together saw, square, and pulse waveforms from 2' to 32' (not all waveforms available for all footages) makes for a really wide range in tonality. Add the octave switch, and you can go almost from subsonic to supersonic.
You can't manually overdrive the filter, although it will start to overdrive if you turn on lots of the waveforms switches. The Bass and Tuba presets take advantage of overdriving the filter to get a nice distortion.
This does not have CV/Gate in, although it's easy to add. The VCF control input is for an expression pedal. A volume pedal will work, but because of the log response, it won't behave as expected.
All in all, a very capable and great-sounding synth.