Yamaha • GX-1

The GX-1 was Yamaha's first big polyphonic analog synth, and it was a beast! Considered the predecessor to the CS-80 (another huge poly-synth), the GX-1 featured a triple-tiered keyboard, pedalboard, ribbon controller, eight polyphonic voices, chromed pedestals and a $50,000+ price tag! OK, so it wasn't designed for your everyday musician - less than 10 were ever made and have been owned mostly by legendary synth/keyboard players including Keith Emmerson, John Paul Jones of Led Zeppelin, Stevie Wonder, Rick Wright, George Fleury, Richard James of Aphex Twin, ABBA, and Hans Zimmer who bought Keith Emmerson's.
Although it may look like an organ at first glance, it's all analog heaven inside! The two main keyboards have 61 (velocity sensitive!) keys each, and are supplemented by a smaller (3/4 scale, pressure sensitive) 37-note keyboard and a 25-note pedalboard at your feet - 184 keys total! Eight voices of polyphony plus an additional monophonic are available and can be shared and layered or split up among the different keyboards. There are also organ-style drawbars and a ribbon controller for tweaking the sounds. Additional programming buttons are hidden away under drawers and panels on the front-panel.
The GX-1 used two analog oscillators per voice which are pretty much the same one's used later in the CS-80, along with a mild 2-pole VCF filter, standard LFO and some ADSR envelopes. The GX-1 also had two "swell" pedals and a spring-loaded knee controller. It was truly a lush synth for its time, and its frequent use by many rock-legends helped cement its place in history as well as pave the way for the legendary CS-80.
True.
Then Keith sold this GX1 to Hans Zimmer, who in turn sold it later. Quote from H.Z. himself : "I just sold my Yamaha GX1 because I have a great remplacement with Arturia's CS-80V."
Actually, on the recent Emerson & Lake US tour, Keith used the Arturia Origin to recreate the GX1 sounds for the 'Pirates' intro (sounds kindly re-programmed by Drew Neumann).
Even if evaluated only as a "test bed", the fact that it paved the way for (my personal "ultimate" synth) the CS80 makes it worthwhile.
If you search the net for GX1 Gentle Giant, you'll find an amazing two part article by a fellow who found one in Australia, bought it and had it moved to England, quite an interesting story.
A true transporter of time.
Incredible.