Yamaha • YS200 / B200
Yamaha YS200
The YS200 is a 4-operator digital FM synthesizer in a rather funky looking keyboard design released in 1988. It featured an 8-track on-board sequencer with many advanced edit functions and up to 8 song capacity. It has a 61-note velocity/aftertouch sensitive keyboard, can hold up to 300 patches, two LFO's, vibrato, and more. It tends to produce very deep dance/techno basses, eighties digital synth sounds, and new age sounds.It uses the same synthesis as the TX81Z, which means it has 8 waveforms to choose from rather than just sinewaves, which gives it a wide range of possible sounds.
The complexity of FM synthesis is somewhat relieved by the "Easy Edit" controls for basic editing operations, but this can also be limiting since not all parameters are accessible. Full editing of the patches requires a MIDI based patch editor, such as YSEditor, which is available for free but only for the Atari ST. Fortunately, it works on Atari ST emulators for the PC. It's worth the trouble because it allows you to load up your YS with original patches from the TX81Z and some of Yamaha's other classic 4-operator DX synths, making the YS a good way to get your hands on classic patches from several keyboards all in one box.
Yamaha EOS B200
The Yamaha B200 is essentially a YS200 with speakers and a more subdued appearance. The B200 uses rather powerful 2 x 20W speakers and also has a stereo line-in (for amplification only). The pitch and mod wheels on this version form two halves of a sphere, which looks modern but ends up being a bit awkward. In Japan, the B200 was called the "EOS B200".
Also, if I could get one I'd buy it; no doubt.
How do I get your email address so that you can give me your friend's data?
Mail me if you really want to have an YS200... I have a friend that have one
I've used them for years now, either as a controller keyboard for a rack module, or as a second board for organs/sines/fm screeches. There's an orchestra ensemble patch (number 17 i think that sounds incredible through a Muff or a Rat, extend the sustain and let it rip.
It's not the fastest synth to program but there are some hidden depths to it, once you get the hang of the tone shaping / envelopes / lfo The reverb & digital distortion effects are actually pretty useful too. I can't imagine it being anyones 'main' synth, but it can do pads/textures/noises. As for 'Pay NO MORE than £40', well you'd struggle to get anywhere near as giggable a midi controller keyboard for that, give it some credit. It's worth whatever people are prepared to pay, and it's value is whatever you put into programming and playing it.