Akai • AX-60

The AX-60 is among some of the last true analog polysynths of the mid-eighties. It was Akai's answer to the hugely successful Roland Juno series and Yamaha's new digital DX-series. The AX-60 is a programmable six-voice synth with a nice LFO, lowpass VCF filter, envelope sections, and more. An eight-voice version, the AX-80, was already available.
Programming this synth is easy using dedicated sliders, knobs and/or buttons for its parameters. It also has a useful noise generator and some other cool functions that include auto-tuning, chorus, a multi-mode arpeggiator and a keyboard that can be split into two key-zones, making it somewhat bi-timbral. All six voices can be stacked in unison mode for a powerful and thick lead sound. Its features and sound make the AX-60 a worthy alternative to Roland's Juno 106. The AX-60 may have been used by Bjork.
In a lot of ways it has a wild and unpredictable quality like the Jupiter 6 where it's far too easy to create sounds that are harsh and grating (again, not necessarily a bad thing) with only a small change in a single slider. Those who want a more forgiving synth should stick with a Juno 106 or a Jupiter 8.
I don't recommend the AX-60 as your first synth or as the only piece of analog gear in your set up. It works better as a contrast to 'safer' synths like the Junos.
However, I've never seen this AX60 in any other photo nor in any real life studio, so I reckon the picture came from the Akai prototype archives or something like that. Of course I can not be 100% sure, but I doubt this particular pictured AX60 ever went into production.