Akai • AX-80

The AX-80 has the privilege of being the first pro-keyboard produced by Akai, released in 1984. It's an eight-voice programmable analog synthesizer with a full 61-note keyboard and a series of techno-looking LCD bar-graph displays running across the top of the keyboard. Two analog oscillators per voice plus a sub oscillator provide the basis of its punchy analog sounds that can be described as similar to a Chroma Polaris or Roland Juno 106. Very good bass, brass, synth sounds, and effects are possible. However its strings are average at best.
The blue and orange florescent LCD displays use a simple and intuitive bar-graph format to show all its parameters and values, making for one of the best on-board displays ever! You have to wonder, however, with such a cool display, why couldn't they have included dedicated sliders and knobs for each parameter (see the AX-60). A decent amount of patch storage and nice enough sounds make the AX-80 a useable synth to have around, but it probably won't replace your Roland Juno. Other notable features of the AX-80 include an angled rear panel for easy cable connections, chord memory, MIDI control, and pitch/mod wheels. It's been used by Mark Bell (LFO) on Bjork's Homogenic.
I DO however, recommend this synth to anyone on a budget or interested in analog. You can find them cheap and it is great access to real analog sound that is still gonna be better than many vst synths.
But seriously, even though the Virus is digital is slays the ax-80 no question. If you want something great look past this synth. Get a juno a polysix, even a virus you'll be much much happier.
I've Owned my AX80 for a year and use it almost exclusively
for bass. it has a powerful, dynamic output that can growl
very deep if you know how to program the envelopes and filters.
it just sounds different than all other synths. And sounding
different is what makes your music stand out... keep
your virus and sound like everyone else, I'm glad this one
has to be explored beyond the presets to be appriciated.